Quick Updates for 2011-01-13
"Sympathy for Salieri" – SFWA member Lou Antonelli interviewed by author Tracy Morris: http://is.gd/kBvbc # SFWA member @vondanmcintyre's novelette "Little […]
"Sympathy for Salieri" – SFWA member Lou Antonelli interviewed by author Tracy Morris: http://is.gd/kBvbc # SFWA member @vondanmcintyre's novelette "Little […]
I’ve never been inclined to play the “what genre is it?” game or to take part in the oftentimes bloodier “that’s not such-and-such genre!” debates. Genre lines are so arbitrary and, in many regards, subjective. Like, to me, horror is more contemporary in setting, mood, and character than dark fantasy, but at the same time, urban fantasies are essentially defined by their modern settings, and they tend to be quite dark, yet I don’t consider them horror.
Received in email this morning via Google Alerts: this press release from an outfit called 3L Publishing, announcing publication of a book called Vanity Circus: A Smart Girl’s Guide to Avoid Publishing Crap.
Congratulations to SFWA member @paolobacigalupi whose YA novel SHIP BREAKER just won the Printz Award. http://is.gd/kvfd6 # Welcome to SFWA's
The board of directors of SFWA unanimously voted to add Angry Robot to the list of SFWA qualifying markets.
A teenager is inherently an outsider, because they’re in transition, unformed, changing quickly from childhood to adulthood. They’ve been given a lot of cultural freedom as a child, because they are children. You often hear people say, “They don’t understand, they’re just children,” and this is often an excuse for breaking some minor cultural prohibition.
Surprise is one of the vital elements in story making precisely because it makes things unpredictable. It makes hope, fear, worry, and curiosity possible.
SFWA member @LAGilman offers Practical Meerkat’s 52 Bits of Useful Info for Young (and Old) Writers, week 1 http://j.mp/dSIMAD #
I’m not saying you shouldn’t self-publish if you want to (though I would urge you to do so on the basis of knowledge rather than hype), or that self-publishers can’t become successful (clearly, they can–something that has always been true, for every possible value of success). I’m just saying that it’s risky to assume that others’ success stories will apply to you.
There’s nothing like writing during adolescence. The intensity, focus, and emotional strength that such a writer brings to her/his work is, like a map frozen in time, sharply delineated and can’t be captured except as a memory of once walking in those lands.
@listener42 Congratulations! # @listener42 Actually, we just need proof of the sale. The contract would work for that. In other