Posted by Victoria Strauss for Writer Beware The following message was sent to Authors Guild members this week. If you’ve […]
Since Writer Beware’s founding, I’ve been getting questions and advisories about Mr. Kritzer and his company, EKP Productions. In 1998 and 1999, most involved Kritzer’s referrals to Edit Ink, a fraudulent editing service that paid kickbacks to agents who sent clients its way.
Posted by Victoria Strauss for Writer Beware The National Writers Union, the American Society of Journalists and Authors, and the
Happy New Year, everyone! To kick things off for 2010, we have a great guest blog post from multi-published author
A cautionary tale of why it is important to research an agent before submitting.
Given Random House’s recent claim on electronic rights in older contracts, Macmillan’s recent announcement that it will be issuing “enhanced ebooks” simultaneously with some of its hardcover releases (and charging even more than for the hardcovers), and the thorny rights and payment issues raised by the rapid expansion of the ebook market, this seems an especially relevant piece of news: the UK’s Society of Authors has issued guidelines on ebook licensing and royalties for authors and agents.
I received the statement below this morning from the Authors Guild. I’m not happy with the Authors Guild these days, because of the debacle of the Google Book Search Settlement. But I agree with their position on Random House’s recent attempt to claim electronic rights on backlist titles whose contracts do not include a grant of those rights.
Last week, the publishing world was abuzz with news that Simon & Schuster, Hachette, and HarperCollins intend to delay the release of ebook versions of most of their hardcover titles by three or four months, rather than releasing the ebooks simultaneously with hardcovers…
Victoria Strauss examines Hudson Audio Publishing.
Kevin Weiss, President and CEO of Author Solutions Inc., has issued a video statement addressing the responses by RWA, SFWA, MWA, and NINC to ASI’s recent partnerships with commercial publishers in launching pay-to-publish divisions.
Today, Mystery Writers of America announced its Board’s unanimous decision to remove Harlequin and all its imprints from MWA’s list of Approved Publishers, effective immediately, as a result of Harlequin’s recent rollout of DellArte Press, a pay-to-publish division.
Of the many issues highlighted by the recent launch of pay-to-publish divisions by two major commercial publishers (Harlequin Enterprises’ DellArte Press–nee Harlequin Horizons–and Thomas Nelson’s West Bow Press), one of the most interesting, to me, is how blurred the distinction between self-publishing and vanity publishing has become.
