Steven Gould
Steven Gould is the New York Times bestselling author of JUMPER and its sequels REFLEX, IMPULSE, and EXO. More at […]
Steven Gould is the New York Times bestselling author of JUMPER and its sequels REFLEX, IMPULSE, and EXO. More at […]
For writers who are interested in writing middle grade or young adult fantasy or science fiction, the first step is puzzling out what exactly those categories mean. Science fiction and fantasy, after all, has a long tradition of featuring young protagonists — including such classics as Dragonflight by Anne McCaffrey, Pawn of Prophecy by David Eddings, and Arrows of the Queen by Mercedes Lackey — even if those novels weren’t originally published as middle grade or young adult books.
According to newflashes popping up around the web, the Washington Academy of Sciences has created a seal of approval for the scientific accuracy of novels.
The Lifeboat Foundation will present the “Lifeboat to the Stars” award along with $1,000 to the winner at the 2013 Campbell Conference.
MFA Programs and the efficacy or use thereof tend to come up in discussion periodically. For those of you interested, here is a run down of the types of programs and what to expect. I personally have an MFA in Poetry from Southern Illinois University in Carbondale and am currently looking into applying for a second MFA, this time in Fiction. I might be addicted to school. Or it might be that MFA programs really are just that awesome.
Award-winning author and editor Jennifer Brozek has edited over ten anthologies (with more on the way in 2013). The creative director of Apocalypse Ink Productions, she also has won both the Origins and the ENnie awards for her work writing for RPG companies, contributing to a long list of sourcebooks that include Dragonlance, Shadowrun, and White Wolf SAS.
The Baltimore Science Fiction Society, a 501(c)(3) located at 3310 East Baltimore Street, Baltimore, Maryland 21224, is proud to announce more writing workshops for 2013 run by professional writers.
You might have heard the advice, “Don’t chase the market.” That’s good advice, as a general idea, but many people misunderstand it and think that it means that you should not write for a specific audience. Here’s the thing… Your audience is not the market.
When people speak of works that “have withstood the test of time” it’s worthwhile asking “Withstood for what?” and “Withstood for whom?” For instance, The Malleus Maleficarum is indeed an immortal work, but it’s not remembered for the reasons its authors and admirers might have wished. The same nuancing holds for classic SF. Overlapping this is the forelock tugging to so-called “hard” SF that, inter alia, seems to still hew to the fifties concept that only physics and astronomy are quantitative sciences.
On Saturday, January 12th, 2013 at 8PM, the Baltimore Science Fiction Society (BSFS), located at 3310 East Baltimore Street, Baltimore, MD 21224, will have a free, public party to celebrate 50 years of promoting science, science fiction and fantasy throughout Maryland.
I’ve just finished a story, and somewhere in the primitive part of my brain, I’m determined to milk it for all it’s worth.
In The Forever War, I had fun writing about cooking under primitive conditions. It’s easy to write about because you don’t have to explain things so much. People understand cooking over a fire. When you start to go into cuisines, you risk losing your readers because the descriptions require too much detail, or it’s too gross.
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