However, to my mind at least, the conflicts that arise when agencies begin publishing clients’ previously unpublished works are even more concerning. If an agency can publish a client’s book itself, will it try as hard to market the book to traditional publishers?

Consult legal counsel about your situation, and your options for taking legal action. This is where the issue of breach becomes relevant. A publisher may ignore an author’s personal claims of breach, but may pay more attention if an attorney is involved.

I’ve tried a variety of strategies to keep myself on track (simple willpower, unfortunately, isn’t enough). I concentrate on email, blogging, etc. in the morning, and reserve the afternoon and evening for working on my fiction.

It’s no wonder that the Internet is bursting with promotional services, marketing companies, publicity gurus, and book promotion self-help advice from authors who’ve been there, done that.

Every time I bemoan Writer Beware’s overpacked file drawers, and wonder whether I should get rid of files for agents and publishers that have gone out of business (or at least consign them to the basement), I’m reminded of why it’s important to keep that old information handy.

Publishers that pay on net profit often pay higher royalty percentages than average, and if the percentage is large enough–50% or more–it may offset the deductions. But be sure you know exactly what those deductions are.

Literary agencies becoming publishers? Screw that trend. PublishAmerica, always a trail blazer, is swinging the other way.

How threatened do publishers feel by agencies’ aggressive moves into publishing? Well, according to a report today in The Bookseller, Random House UK has done an end run around prestigious literary agency Sheil Land, directly approaching author Tom Sharpe to secure digital rights to his backlist.

Last week, prestigious UK agency Ed Victor Ltd. announced that it was going into publishing, with an ebook/print-on-demand division called Bedford Square Books.

As readers of this blog know, I’m fascinated by the oddities that pop up at the fringes of the writing and publishing worlds. This qualifies as one of the odder things I’ve come across lately: T-Post.