Guest Post: Don’t Watch Your Work
I’ve just finished a story, and somewhere in the primitive part of my brain, I’m determined to milk it for all it’s worth.
I’ve just finished a story, and somewhere in the primitive part of my brain, I’m determined to milk it for all it’s worth.
There’s a tendency for writers to obsess over rules. If you’re reading my blog series “Chasing the First Sale,” you know I’m the chiefest of sinners; it’s packed full of rules, and there’s a good reason for that: rules are helpful. They give shape to good tendencies and bad.
Short stories are a proving ground. They let you get out there, try a bunch of things out, and make your mistakes small so you don’t have to make all of them big. When I hear an unpublished writer talking about the epic fantasy trilogy they’re going to write, my first thought is, “What a shame.”
There are tons of great resources on writing fiction, and I won’t even attempt to get into all that information here. What I’m going to focus on are the macro, big-picture things I’ve learned through personal experience.
Our destination is Labadie Mansion, a derelict house that neither of us have ever seen, and the site of numerous accounts of ghostly activity. According to “sources,” the house is hidden by trees, with no visible road going to or from the grounds.