An independent group of creatives led by Tochi Onyebuchi is collating and analyzing the information shared by authors participating in #PublishingPaidMe on Twitter and elsewhere to write a preliminary report on how advances have been distributed in publishing. In order to do so, authors are encouraged to self-report data using this Google Form. The more […]
The times they are a-changing, the question of when will probably be answered after the next Christmas season as ebooks emerge at minimum as a major market force, over 20% of book sales is a conservative guess, so the answer to that one is soon.
Inside of genre circles, “YA” seems to be taking hold as a catch-all term for anything written for anyone under 18. Since so many people use YA as a catch-all, it’s becoming a catch-all, so how children’s book industry people define the category doesn’t matter. Does it?
Monica Valentinelli talks about what it means to write non-fiction for the web versus writing for a print publication like a magazine.
Posted by Richard White for Writer Beware
Dear New Publisher:
You may have noticed people discussing your company on various web sites. Normally, this would be a good thing, I mean, free publicity, right? But, when you go to these sites, they may be discussing your company in unflattering terms and asking all kinds of questions about your ability to get books into bookstores.
As readers of this blog know, I’m fascinated by the strange phenomena that flourish at the fringes of the publishing world. So I was thrilled recently to discover yet another example: an online course that teaches people how to become Virtual Author’s Assistants.
Copyright, literally, is “the right to copy.” It guarantees the authors of creative works–including books, artworks, films, recordings, photographs–the exclusive right for a set period of time to allow other people to copy and distribute the work, by whatever means and in whatever media currently exist. It also prohibits copying and distributing without the author’s permission. You own copyright by law, automatically, as soon your work is fixed in tangible form–i.e., the minute you write down the words.
The words “online marketing” are fairly generic, since there are quite a few components involved with this business practice. Marketers (like myself) often utilize web analytics, social media, blogging, natural and paid search, online advertising, etc. For authors, online marketing may be a little more targeted to our writing and publishing efforts via social media and blogging platforms.
With the publishing industry shifting so rapidly now, it’s always interesting to see what people think the new paradigm will be. Bernard Lunn takes a look at it in a two part article at ReadWriteWeb. As with any set of predictions it’s just guesswork, but guesses worth reading.
by Terry McGarry Originally appeared in the Bulletin of the Science Fiction and Fantasy Writers of America, Spring 1995. Copyright © 1995 Terry McGarry. Reprinted with permission. Many copyeditors prefer to spell the word “copyeditor.” I laughed when I got page proofs of a short story I had written about a copyeditor: the anthology’s copyeditor […]
From the multi award-nominated author of SHIGIDI, a stunning new collection of stories that investigate the rapidly changing role of technology and belief in our lives as we search for meaning, knowledge & justice; converging to our future selves.
Forthcoming work includes novella His Unburned Heart (about Mary Shelley and her husband’s heart) from Raw Dog Screaming Press (May, 2024) and novel Egyptian Motherlode (co-written with Jacob Weisman) from Fairwood Press (October, 2024).
