by Alex Woolf
No one enjoys being rejected. Writers, who are often a touch more sensitive than the average bear, may feel the sting even more acutely. Which is unfortunate, as the daily work of the writer involves rejection on an almost continuous basis.
by Alex Woolf
One trend that I think is likely to have more enduring appeal is narrative non-fiction (NNF): the blending of story elements with non-fiction. Typically, this involves the author inventing characters and a simple plot device, such as a journey. Along the way, the characters discover real-world information, be it about science, history or geography. The idea is that by employing narrative techniques such as characterization, dramatic tension, dialogue and atmosphere, the process of information acquisition is made a lot more compelling.
by Alex Woolf
“Why do we always have to reinvent the wheel?” my editor once asked me.
When a new book is launched, it’s like introducing a stranger to a largely disinterested world. Potential readers know nothing about its characters or the kind of plot they might expect. Publishers are forced to spend a great deal of money on marketing to give the book a comforting, pseudo-familiar feel. The title and cover design will be reminiscent of other, similar books that readers might already have enjoyed.
From the multi award-nominated author of SHIGIDI, a stunning new collection of stories that investigate the rapidly changing role of technology and belief in our lives as we search for meaning, knowledge & justice; converging to our future selves.
Garrett Boatman is the author of Stage Fright, Floaters, Night’s Plutonian Shore, The Clocks of Midnight, The Mirror of Eternity, and A Prisoner of Dreamland. His stories have appeared in numerous magazines and anthologies.
