It’s unfortunately very easy for writers to buy into these faux numbers–whether out of fear, or inexperience, or simply because they vindicate writers’ own frustration with rejection.
My interest in ebooks is a tiny percentage of my interest in books. I didn’t dream of being a writer so I could spend my time discussing file formats and what Author X (even if X= me) did to sell a whole bunch of copies. Maybe it’s stupid and romantic, but I got into this because I loved books.
So let’s get back to that whole laughing at work-for-hire authors or trashing popular books or not understanding what a saleable novel is.
Publishers aren’t eager to allow Amazon to undermine the economics of the e-book market, representing the lone bright spot for the industry, by permitting an estimated two to five million Amazon Prime customers to start downloading e-books for free.
Last winter, we had a huge response to the three online courses we offered. Writers from all over the world applied; only fourteen were admitted to each course. Using the latest technology, we were able to interact with each other in live class meetings and exchange homework and critiques.
Note: SFWA does not itself represent any estates, but only acts to connect interested parties to estate representatives. While SFWA
Last December, I blogged about the Brit Writers Awards, an awards program for first-time authors, which was dogged by allegations of loose judging standards and poor communication.
After a long illness, Estates Project Manager Bud Webster passed away in 2016. SFWA is deeply indebted to Bud for
…today’s post is about zombie literary agencies… agencies that die only to rise again and lurch out onto the Internet in search of writers’ brains.
Today’s guest post by multi-published author Doranna Durgin is about a publisher behaving badly.
More than that, however, it highlights something that every writer signing a publishing contract needs to be aware of: the importance of reversion clauses…
