Here is an example of the sort of solicitation PublishAmerica authors receive daily (if not more often).

Yesterday afternoon, I had a cordial conversation with Allison Dobson, Director of Digital Imprints at Random House, about the the recent controversy over deal terms at Hydra, Alibi, Loveswept, and Flirt.

To free the U.S. from its crushing debt, a group of rogue American generals are planning a ruthless attack on China. FBI Agent Erica Blake tries to stop it.

Many writers have heard of the “DMCA takedown notice” but not everyone understands what it is. In this post, I’ll try to explain the basics and give you some ideas about how to use the tool to protect your rights and how to respond if you’re on the receiving end of one that you consider to be without merit.

Over the past few years, more and more trade publishers have created digital-only imprints. Another new one just popped up in my newsfeed today: Little, Brown UK’s Blackfriars will be launching its first list this coming June.

If you have an unpublished manuscript that you’re shopping to agents and/or publishers, or considering self-publishing, there’s no need to register your copyright prior to publication.

Why?

Writers are sometimes confused by the “registration” requirement under the US copyright laws. In this post, I hope to clear up the concept and help you decide whether copyright registration makes sense for you.

In Part 1: Definitions, the members of SFWA’s experimental MG and YA group asked industry professionals to help define the middle grade (MG) and young adult (YA) book categories. Today we’ve asked those same professionals to tackle the controversial issue of appropriate content.

For writers who are interested in writing middle grade or young adult fantasy or science fiction, the first step is puzzling out what exactly those categories mean. Science fiction and fantasy, after all, has a long tradition of featuring young protagonists — including such classics as Dragonflight by Anne McCaffrey, Pawn of Prophecy by David Eddings, and Arrows of the Queen by Mercedes Lackey — even if those novels weren’t originally published as middle grade or young adult books.

MFA Programs and the efficacy or use thereof tend to come up in discussion periodically. For those of you interested, here is a run down of the types of programs and what to expect. I personally have an MFA in Poetry from Southern Illinois University in Carbondale and am currently looking into applying for a second MFA, this time in Fiction. I might be addicted to school. Or it might be that MFA programs really are just that awesome.