Search Results

What REALLY Sold in 2016?

Maybe that stubborn determination to find an agent and get picked up by a NY publisher so that your book ends up in Barnes and Noble isn’t really worth the (huge) effort.

In Memoriam – Linn Prentis

Agent Linn Prentis (b.1944) died on December 24. Prentis began her long career as an agent working for the Virginia Kidd Agency, leaving after fifteen years to strike out on her own.

The Galaktika Situation

Within the past year, in large part due to independent investigations within Hungary by Bence Pintér, SFWA became aware that for at least a decade Galaktika had been translating stories by a large number of foreign authors which Galaktika had taken from the internet—on the pretext that all these stories were therefore in public domain, contrary to copyright law.

Curtis C. Chen

Once a Silicon Valley software engineer, CURTIS C. CHEN now writes fiction near Portland, Oregon. His debut novel WAYPOINT KANGAROO is a science fiction spy thriller about a superpowered secret agent facing his toughest mission yet: vacation.

Ten Thoughts About the Business Side of Writing

by Russell Galen

Have an agent. If you feel you don’t need one, find another human being to whom you have no emotional attachments, who knows a lot about the IP business, will tell you the truth, will be a sounding board for your literary and business questions, and will speak to the buyers of your work so that you can keep some distance from them.

Guest Post: The Work of Writing

by Theodora Goss

I keep reading blog posts that basically all make the same point: anyone can find time to write. You’ve probably read them too. The message is, if you want to be a writer, you can find the time. Get up early and write before work. Write on your lunch break. Write on your commute home. Write after everyone else is asleep. If you can write even a hundred words a day, eventually you’ll have a novel.

It’s not a bad message, but it’s aimed toward aspiring writers. And aspiring writers, I would argue, are very different from working writers, who are different, again, from professional writers.