When it comes to social networking, Pinterest has emerged as a major player. Cat Rambo provides an excellent overview.

I’ve gotten a lot of questions about Raider Publishing International over the years. Founded by a former (and disgruntled) PublishAmerica author, it’s basically a self-publishing service with some added bells and whistles.

The recent mega-success of self-epublishing authors such as Amanda Hocking, John Locke, Darcie Chan, and Kerry Wilkinson has generated a lot of media attention over the past year or so. But the mega-successes aren’t the only ones who are doing well…

If a display site is free, you lose nothing by signing up (as long as you’re careful about any contacts you receive). But if you have to pay a fee, you might want to think twice before pulling out your wallet.

On Tuesday, the Authors Guild posted the following article on its blog. It’s a must-read for anyone interested in the ways in which the book business is changing, and how we reached the point where a single retailer has the power to dictate terms to publishers, and thus, indirectly, to authors and readers.

A couple of weeks ago, I began hearing from self-published and small press authors who’d been approached over the summer by a Turkish publisher called Arvo Basim Yayin.

Literature is what distinguishes us from every species that has gone before. It’s what makes it possible for seven billion of us to breathe the same air. Literature is the great sum and sea of human experience, out there heaving serenely in the moonlight, ready for individuals, when it’s their time, to paddle out on their voyage of discovery.

It’s unfortunately very easy for writers to buy into these faux numbers–whether out of fear, or inexperience, or simply because they vindicate writers’ own frustration with rejection.

I’ve published about three dozen short stories, and perhaps 1/3 are SFWA-qualifying. I thought I’d open my submission history in case it would help a new writer see what the submission process looks like.

I’m sure you all remember the notorious J.K. Rowling Incident, in which PublishAmerica tied Rowling’s name to one of its numerous author promotions.