by Dan Brotzel
The philosopher of language Paul Grice (1913-88) is best known for his four conversational maxims, which describe what’s going on when people hold a conversation. I want to look at these to see how they can help us in crafting fiction.
by Alex Woolf
“Why do we always have to reinvent the wheel?” my editor once asked me.
When a new book is launched, it’s like introducing a stranger to a largely disinterested world. Potential readers know nothing about its characters or the kind of plot they might expect. Publishers are forced to spend a great deal of money on marketing to give the book a comforting, pseudo-familiar feel. The title and cover design will be reminiscent of other, similar books that readers might already have enjoyed.
by Ken Pelham
Your stiff-upper-lipped hero, Professor Jenkins, frustrated with the chicanery of Air Captain Hamm, pounds the table and shouts, “Good heavens, man! The scoundrel has hatched yet another outrageous boondoggle!”
Boondoggle. This is where your narrative gets stuck in the etymological weeds.
by E. D. E. Bell
As a former engineer, data analyst, strategic advisor, and manager who entered the fiction writing and fiction editing world not too far apart and not so long ago, I’ve had to come up to speed quickly on concepts and best practices that a lot of editors my age have been practicing a long time.
by Deborah Walker
I don’t find productivity to be a one size fits all discipline. Sometimes a theory or technique just doesn’t resonate for me. For example, I’ve never got on with the Pomodoro technique, but some authors love it. I listened to a podcast recently where a motivational speaker was very insistent that if you don’t have goals then you can’t achieve anything worthwhile. Goals aren’t for me. I’d rather define processes rather than goals. I’ll write every weekday rather than I’ll finish a novel in a year. Many productivity experts swear by meditation, but I don’t care for it. The best advice for techniques is to try them on for size and see if they fit.
by Hunter Liguore
When it comes to writing, especially the novel, we can never give up! We’re essentially running our own ‘ultra-marathon.’ Looking at a runner who will traverse 100 miles over 30 hours, we must see the significant amount of training that went into this. Considering the above scenario, this ultra-runner must’ve spent at least half to a full year of deliberate planning/training just for this one race.
By Annette Siketa
Picture this – a searing Australian summer, roads melting, birds dropping out of trees, an overexcited thirty-six-year-old daughter, and me – her mum, trying to keep cool in every respect. And the reason for said daughter’s excitement? A private meeting with David Duchovny.
by Filip Wiltgren
I’m a quitter.
I’ve quit school five times, quit jobs, quit my freelancing career, quit clubs, sports, diets, pretty much everything except relationships, which get quit for me. In short, I’m an expert at quitting.
by Luna Corbden
I’ve heard that insomnia is a common problem among writers. At least, it is for me.
I also frequently get stuck on “what happens next?” in my stories, which leads to me staring at the blank page, which leads to me opening Twitter, after which my writing session is shot. I might get stuck on that problem for weeks and weeks, my mind completely unwilling to focus on solving it when there’s nothing but a boring white page in my visual range.
What if there was a way to (partially) solve both problems at once?
by Diane Morrison
“Hey, I’m looking for advice. My character lost a limb in the last fight. Does anyone know about writing amputees?”
They are the last survivors of the settlers of the moon Sturnus, forty children rescued by the benevolent people of the planet Janus. Except Bear is starting to remember, and what he remembers is nothing like what he and the others have been told.
Henry Chebaane is a writer, producer, director, designer. His creative work can be seen in films, hospitality concepts, location-based entertainment and music production. The Panharmonion Chronicles is his first graphic novel series.
