by Corrine Kumar We grow as writers by reading, but we often read passively—leaving the understanding of stories to our subconscious. Passive growth is important, but active reading can raise our storytelling to new heights. Over the last two years, I have developed a system of actively reviewing each novel I read, and this process […]
By Sascha Stronach Note: This article first appeared in The Bulletin #216 in October 2021. Publishing (verb): the act of smashing your head against a wall until you see daylight. Publishing From Outside America (verb): as above, at long range. In the aftermath of CoNZealand, the 78th Worldcon, there was a palpable feeling of betrayal […]
by Yilin Wang Note: This article first appeared in The Bulletin #216 in October 2021. When I tell other writers who are not familiar with Sinophone literature that I am writing short stories and a novel that play with the wuxia fiction genre in English, I am often met with one or more of the […]
Congratulations, You’ve Published Your Work and You Have Fans (and Critics): So What Do You Do Now? by Amber Benson Note: This article first appeared in The Bulletin #216 in October 2021. Before you can become a creator, you have to be a fan first. As the irrepressible Hannibal Lecter says in the film The […]
by Katherine Quevedo
Looking for unconventional, potentially striking ways to explore what it means to be human in your writing? It may seem counterintuitive, but personification—ascribing human qualities to inanimate objects—can open new avenues to plumb the depths of human experience.
by Martin Jenkins
One of the pleasures of genre is that it lets us identify a type of writing that we know we like. We’d feel short-changed if a crime novel didn’t feature a crime, after all, or if a romance didn’t put the travails of a relationship front and center. What we don’t want to see, however, is a mere repetition of genre tropes and clichés – it’s what is fresh and different in a work of fiction that keeps us turning the page while still being identifiably a genre work.
by Amelia Wiens
One of the best parts of science fiction and fantasy is the worldbuilding. A key part of creating interesting worlds is creating diverse cultures that vary in some way from our own norms. That being said, it can be so hard to get out of our own culture’s point of view and redefine elements that we unconsciously take for granted.
by Hunter Liguore
What do you fear when you sit down to write? Fear can be the debilitating emotion that prevents us from getting into the chair in the first place. It’s the force that makes lengthy excuses for why we can’t write. Next to procrastination, fear can cause us to abandon projects, call it quits, or worse, abandon the writing completely.
by Wendy Nikel
According to Forbes and other market researchers, audiobook sales are currently experiencing a major boom. With Science Fiction & Fantasy being the third-most-popular genre for this format, I decided a few months ago that I was going to try my hand at getting my books – a time travel novella series originally published in 2018-2019 by World Weaver Press – into this market. Here’s how it went.
by Setsu Uzumé
From Kickstarter to ko-fi to patreon, the search for funding can be a huge challenge. I recently attended a lecture provided by the St. Louis chapter of the Volunteer Lawyers and Accountants for the Arts on the subject of applying for grants. Some of the most basic hurdles include finding grants that might be a good fit for your work, and how to prepare your materials in a way to make it easy for the folks reading your submission.
In this vibrant and approachable book, award-winning writers of black speculative fiction bring together excerpts from their work and creative reflections on futurisms with original essays.
Henry Chebaane is a writer, producer, director, designer. His creative work can be seen in films, hospitality concepts, location-based entertainment and music production. The Panharmonion Chronicles is his first graphic novel series.
