by Lauren Roux
We wanted to reach out to the Science Fiction Writers of the world and offer up our expertise to answer any questions you might have about the regolith on the Moon, some of the ices that might be there, and what it’s like to actually handle the lunar soil that is not only dry, but statically charged.
by Kevin L. O’Brien
It should be pointed out that while it is easy to pattern a quasi-medieval fantasy society after medieval Europe, European society of the Middle Ages didn’t just appear out of nothing. It grew from antecedents and so was based on a foundation of varied traditions, and there is every reason to believe that a fictional society would be the same way.
by Kevin L. O’Brien Welcome to Part Two of a series that examines technology and medieval machines that can be used in worldbuilding. In the first post of this series, I described how a quasi-medieval society could smelt all the iron it needed to generate and sustain an industrial revolution. However, while it could be […]
by Kevin L. O’Brien
Welcome to Part One of a series that discusses technology and medieval machines that can be used for worldbuilding.
Many fantasy stories gloss over technological details that would be vital in a real-world setting. For example: how would a medieval-level society acquire the iron it needs for tools and implements?
by K. C. Norton
For the past three years, I have been working as a ghostwriter, writing coach, and English tutor. In my line of work, I almost invariably partner with people who are writing or editing their memoirs. For the most part, they’re content to know that I have a Master’s degree, but occasionally they want to know if I’ve published anything, and if so, what kind of stories I write for myself. I both dread and relish this moment, because it’s a chance to reveal my dirty secret: my preferred genre is Science Fiction.
by Sandra M. Odell
I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era. Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world.
The following list of questions is meant to aid authors of fantasy fiction who are seeking to create believable imaginary settings for their stories. While many of these questions may be helpful or crucial to certain stories, they will not all apply to every story. It is not necessary for an author to answer all, or even any, of the questions in order to start writing, (or to finish writing, either). The idea is simply to provoke people into thinking about the ways their settings and backgrounds hang together … or don’t. If it’s useful, use it. If not, don’t.
Arthur has conquered the first floor of the Tower and with a new ally, he’s got a real chance of building his Clan. The problem is, their alliance hinges on one factor: speed. Survival is no longer the only goal—it’s a speed run to the top.
Henry Chebaane is a writer, producer, director, designer. His creative work can be seen in films, hospitality concepts, location-based entertainment and music production. The Panharmonion Chronicles is his first graphic novel series.
