by M.K. Hutchins Soft magic has been with us since humans had stories: it’s in our fairytales, our folklore, and continues to be popular today, appearing in everything from Studio Ghibli films to the writings of Terry Pratchett, to Axie Oh’s The Girl Who Fell Beneath the Sea. Soft magic usually gets defined by what […]
by Jason P. Burnham Climate change is the top public health emergency of the twenty-first century. Naturally, you may be inclined to write a story somewhere on the dystopia-to-solarpunk spectrum that mitigates your burgeoning existential climate dread. Perhaps one of your characters works in healthcare and is struggling with an ever-increasing burden of antibiotic-resistant infections […]
by Gideon P. Smith Getting the science right in SF can make the difference between writing cute stories and great science fiction. If you are a non-scientist writing SF and want to know how to do that, then this blog post is for you. Doing Background Research If science is critical to the overall plot, […]
by Andrew K Hoe In our previous post, we examined how battling robots and aliens utilize armaments. Today, we’ll detail human arsenals further to illustrate the options for how imaginary warriors could fight. And since sci-fi armaments like lightsabers are heavily influenced by our earthly swords, we’ll expand our discussion to include fantasy fiction. SINGLE: (baton, […]
by J. Dianne Dotson Worldbuilding takes many forms in genre fiction. Whether a story takes place on another planet, in a mystical land, or in a hellscape of horror, adding touches of realism enhances the world for its inhabitants. Using ecology is one way to achieve that realism. What Is Ecology? Ecology is the science […]
by Gabriel Ertsgaard From Hector and Achilles to Luke Skywalker and Darth Vader, the heroic duel is a fiction staple. However, my special interest (and the topic of my unfinished book) is how to tell stories of nonviolent heroism. How do we tell gripping stories without the charge of heroic violence? Is it even possible […]
by Andrew Hoe Human martial arts styles are biased: they’re specifically designed to fight other humans. Of course, watching Neo trade Kung Fu blows with Agent Smith is awesome, but perhaps our focus on human fighting systems in sci-fi affects our imagining of alien/robot bodies. Put simply, it makes composing fight scenes easier. By designing […]
by Melanie Ashford Choosing to include characters with disabilities in your speculative fiction is an excellent thing to do, but you’ll need to do your research. A poorly written hard of hearing character will do much more harm than good, and you run the risk of ostracizing a lot of your readership, whether they relate […]
by Arkady Martine Editor’s note: This article originally appeared in The SFWA Bulletin #215. On the dining-room table which has become my desk during the endless time-is-a-flat-circle of this pandemic, is a book called Cities that Think Like Planets, by Marina Alberti. It has a subtitle – complexity, resilience, and innovation in hybrid ecosystems – […]
by Tochi Onyebuchi Editor’s note: This article originally appeared in The SFWA Bulletin #215. What about the serial killers? What about the rapists? asks the skeptic in the face of the prison abolitionist. What about the violent crime and the predators? The real Bad People. You would just let them roam the streets? The questions […]
Journey to lost pasts and possible futures with the Accidental Time Travelers Collective, volume 3. The latest installment in the Accidental Time Travelers Collective series features 12 time-travel short stories by an international group of authors.
Steven D. Brewer teaches scientific writing at the University of Massachusetts Amherst. He writes steampunky romantasy and fluffy military space opera, often with an LGBTQIA+ focus. Brewer lives in Amherst, Massachusetts with his extended family.
