by Marie Croke Editor’s note: This piece is part of the series Volunteer Networks: The Heart of SFF, where writers discuss the rewards and challenges of speculative fiction volunteer work. Read twenty-five stories a month. Copy-edit four stories an issue. Attend biweekly meetings. These are quantifiable tasks. They can be scheduled and carefully planned around. […]

by Lívian Bonato Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. Despite many recent additions to global science fiction and fantasy (SFF), Eurocentrism is still a challenge in many fictional universes. In post-colonial […]

by Aaron H. Arm Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. There’s an adage that people like to bring up when discussing current events: “History doesn’t repeat itself, but it often rhymes.”* […]

Editor’s note: This piece is part of the series Perspectives in Translation, where creators discuss the many facets and challenges of translating fiction. The terms “source language” and “target language” will be used throughout this series. Translation is always a challenging process and can become even more complicated when audiovisual materials are involved. Here, SFWA […]

by Elena Kovalenko Editor’s note: This piece is part of the series Perspectives in Translation, where creators discuss the many facets and challenges of translating fiction. The terms “source language” and “target language” will be used throughout this series. If you’re a writer, translating your work into a different language may seem straightforward. After all, […]

by Jeremy Zentner Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. Fifty million dead, continents in ashes, and the emergence of a global struggle between two superpowers: World War II changed the path […]

by Carrie Finch Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. Painters have brush and canvas. Dancers have mirrors and marley floors. Musicians have their instruments and the loving maintenance they require. […]

by Samuel Poots Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. In 2009, I met my hero. I was eighteen, painted blue, and wearing a borrowed kilt, a brave choice for November in […]

by Marie Croke Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. As speculative fiction authors, we twist and remake reality. Yet, when it comes to retelling events or using fiction to manipulate a […]

by Anneke Schwob Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. I’ve spent a lot of time in archives and special collections: parsing handwritten letters, transcribing diaries, puzzling over telegraphs and radio transmissions. […]