Starting last February, I began hearing from Iconic authors reporting a variety of similar problems, including production delays, poor copy editing (books were printed full of errors), poor communication, and broken marketing promises. I’ve also seen several Iconic contracts, and they’re pretty bad, with a sweeping claim on subsidiary rights (even though there’s no evidence Iconic is capable of exploiting them), unacceptably vague reversion language, royalties paid on net profit, and a Right of First refusal clause that could be interpreted to require the authors to submit to the publisher any subsequent book they ever produced.