Archive for the ‘SFWA Blog’ Category

Guest Post: On Writing: Can You Do It Wrong?

by Cat Rambo

Are you putting words on the page? Then you are doing it right.

You may not be creating publishable words. You may not be creating amazing words. You may not be creating words you like. But by creating words, you are doing something actual, tangible, verifiable. And that puts you ahead of all the people who aren’t writing.

Getting Out of the Pubslush Slush Pile

by Caren Gussoff

We’re on the front lines of the changing publishing industry, and for all the insecurities that encompasses, we have a growing number of tools that help reach out and sell directly to fans. Of these tools, perhaps the one most successful has been the online crowd funding platforms.

2014 Sunburst Award Winners

The Sunburst Award Committee is pleased to announce that the winner of its 2014 adult award is A Tale for the Time Being by Ruth Ozeki (Penguin Group Canada) and the winner of its 2014 young adult award is The Cats of Tanglewood Forest by Charles de Lint (Little Brown Books).

SFWA’s Estate Project and Diabolical Plots

When an author stops breathing, the stories stop coming, but the presses keep rolling. Ah, but do the checks keeping coming? Enter: Bud Webster of the SFWA’s Estate Project. CARL SLAUGHTER: Why does the SFWA operate an estate project? How does liaisoning for deceased authors help SFWA members? BUD WEBSTER: Well, with the advent of e-publishing […]

Grievance Committee Update

In the last few months we have seen reports of possible issues with several publishers including late or non-payment, contract violations and a lack of promised publicity support. We would like to remind members that while the Board is definitely concerned about these reports, we cannot act without first-hand information.

Guest Post: Does Book Touring Still Matter?

by John Scalzi

When I’m out and about and recount my tour adventures to people (I can reel off my itinerary just about in my sleep at this point), the question often arises about whether all this touring is actually still useful and/or desirable in an age where so many people get their books electronically, and when one (or at least, one like me) can show up to a comic con, at which between 20k and 50k people will show up in one place, where you also happen to be.