I have been in correspondence with Tristina Wright and I am deeply apologetic about what happened, as I have told Ms. Wright in e-mail. This should not have happened. I and the rest of the SFWA Board apologize again to Ms. Wright again for this egregious blunder. Normally, correspondence as it pertains to the Emergency […]
by Laura Kemmerer
Writing for the intellectual properties we’ve all come to know and love so much is both possible and can be a huge asset to your authorial career. But it’s best to cover the basics first.
The Science Fiction and Fantasy Writers of America (SFWA, Inc.) is pleased to announce that Jane Yolen has been named the 33rd Damon Knight Grand Master for her contributions to the literature of science fiction and fantasy. The award is given by SFWA for “lifetime achievement in science fiction and/or fantasy.” Jane Yolen joins the […]
by Monica Valentinelli
Though there are commonalities that game writers share in their work, there are a lot of routes they can take in order to work in the industry. This column will shed a light on some of those aspects to show what it is game writers do in these varied forms.
by Dennis Mathis
A new hyper-detailed neurological atlas identifies 862 different structures making up the human brain. What are the odds that only five of them are about detecting reality?
by Gargi Mehra
When 2015 dawned upon us one year ago, I, like all reasonable writers, penned down certain resolutions. One of them was to test the oft-repeated advice doled out on most, if not all, writing websites – write a fixed quota of words every day.
This winter, writers can level up their skills in three key areas through live, intensive online classes offered by the Odyssey Writing Workshops Charitable Trust. Odyssey is a 501(c)(3) nonprofit known worldwide for offering some of the best in-person and online programs for writers of fantasy, science fiction, and horror.
The Sunburst Awards, recognizing “Excellence in Canadian Literature of the Fantastic,” has added a short story award category. Short stories published in magazines, anthologies or collections, or online all qualify.
Please note that, as of November 1, 2016, Cemetery Dance is no longer a SFWA-qualifying market.
by Rosalind Moran
The moody male lead is widespread throughout all genres, but it can be difficult to see why anybody would want to spend time with him. He’s brooding, exceedingly individualistic, melancholic, and disposed to hanging around outdoors during thunderstorms for no good reason beyond cultivating his mystique.
This sweeping urban fantasy explores what it means to be human in a world where humanity itself may be optional, where ancient gods run pawn shops, and where the difference between monster and hero often depends on which side of the story you’re telling.
Katherine Quevedo hails from Portland, Oregon, where she works as an analyst and lives with her husband and two sons. Her Pushcart and Rhysling nominated fiction and poetry appear in Nightmare Magazine, Asimov’s, Fireside Magazine, and elsewhere.
