by Ken Pelham
Your stiff-upper-lipped hero, Professor Jenkins, frustrated with the chicanery of Air Captain Hamm, pounds the table and shouts, “Good heavens, man! The scoundrel has hatched yet another outrageous boondoggle!”
Boondoggle. This is where your narrative gets stuck in the etymological weeds.
by Michael Capobianco
SFWA thanks Eleanor Wood and Spectrum Literary Agency for more than twenty years of service to the organization.
by Paul Jessup
Novels are like long, committed relationships. They take months to years of your life, and they require complete and utter devotion to their singular purpose. Certainly, there is something to living inside of a novel, breathing inside of it, thinking about it every moment of your day. It’s an all-consuming thing, as exhausting as it is rewarding.
News from Middle Tennessee State University: MTSU Write is proud to announce Camp Writerhaven, a new writers’ retreat for wordsmiths in all genres at Rockvale Writers’ Colony June 20-23 and July 14-20. Camp Writerhaven provides writers time and space to grease their creative engines and produce the literary fruits of focused productivity during two sessions […]
News from Dartmouth University: Ten books that dare to imagine how society collides with the future have been named to the shortlist of the 2019 Neukom Institute Literary Arts Awards.
Welcome to the May edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Suyi Davies Okungbowa
It’s virtually impossible to do ALL of your SFF worldbuilding prior to writing your book/story. How much weight is given to each stage depends on the author (some prefer to do a lot before starting, some build nothing before writing). My own preference is to build the foundation–just enough to get me started, then build more along the way, and go back and change stuff after I’m done.
by Cameron N. Coulter
Since March 2018, I’ve been writing a monthly short fiction review column for Skiffy and Fanty. A year ago, I didn’t have too many thoughts on reviewing, but now I find I can have long conversations about it.
by Paul Jessup
Ever since I first started taking writing seriously as a teenager, I’ve always written to music. Back then it was a bit more difficult than it is now, in the days of Spotify and gigantic playlists that can stretch on for hours or even days. Back in those days I would make mix tapes for my writing, each story and scene would get its own mixtape of songs that I felt carried the tone and the emotion of what I’m trying to convey.
by Chris Sumberg
The phrase “clear as a mountain stream” gets splashed around pretty loosely, sometimes in reference to clear writing but also in reference to the sometimes not-at-all-clear names of actual bodies of water, clear or otherwise. When you take time to examine the hard, cold facts, it makes you wonder if writing that is as clear as a mountain stream is, in fact, very clear at all.
Trapped in a child’s body, a resourceful woman risks death by deletion from a simulated world. With her debut novella for adults, Thompson has crafted a taut, ultimately hopeful story that deftly explores identity and autonomy.
Bonnie Jo Stufflebeam is the author of the novel Grim Root and the collection Where You Linger. Her short fiction has appeared in over 90 publications and has been nominated twice for the Nebula Award. By day, she writes for a mobile game.
