by Ellis Cube,
Right now, IP (intellectual property) is everything in Hollywood, and by “everything” I mean its validation—both their and your proof of concept. If your novel draws attention or builds up a sizeable audience, executives/investors will feel more comfortable spending their money on adapting what you’ve created, and they’ll come to you.
by Alex Woolf
“Why do we always have to reinvent the wheel?” my editor once asked me.
When a new book is launched, it’s like introducing a stranger to a largely disinterested world. Potential readers know nothing about its characters or the kind of plot they might expect. Publishers are forced to spend a great deal of money on marketing to give the book a comforting, pseudo-familiar feel. The title and cover design will be reminiscent of other, similar books that readers might already have enjoyed.
by Catherine Lundoff
“You should go to this – it’ll be good for your career” is a phrase that you’ll hear more than once as you start getting published. The phrase gets applied to conventions, conferences, writing workshops, book festivals and classes, just to name a few things. The “good for your career part” can refer to networking opportunities, the chance to meet editors and agents, some opportunity to gain new readership like doing a reading or being on a panel, or honing your craft.
Welcome to the June edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Diane Morrison
Everyone says that indie publishing is the wave of the future. Avoiding gatekeepers, who are often prejudiced against particular ideas or demographics, and putting your work out there to see if it will sink or swim on its own, puts the power (and the money) back in the hands of the writers. I had an unusual idea and format that I realized would have difficulty finding a home because of its experimental nature, so I though I would give it a try.
by Ken Pelham
Your stiff-upper-lipped hero, Professor Jenkins, frustrated with the chicanery of Air Captain Hamm, pounds the table and shouts, “Good heavens, man! The scoundrel has hatched yet another outrageous boondoggle!”
Boondoggle. This is where your narrative gets stuck in the etymological weeds.
by Michael Capobianco
SFWA thanks Eleanor Wood and Spectrum Literary Agency for more than twenty years of service to the organization.
by Paul Jessup
Novels are like long, committed relationships. They take months to years of your life, and they require complete and utter devotion to their singular purpose. Certainly, there is something to living inside of a novel, breathing inside of it, thinking about it every moment of your day. It’s an all-consuming thing, as exhausting as it is rewarding.
News from Middle Tennessee State University: MTSU Write is proud to announce Camp Writerhaven, a new writers’ retreat for wordsmiths in all genres at Rockvale Writers’ Colony June 20-23 and July 14-20. Camp Writerhaven provides writers time and space to grease their creative engines and produce the literary fruits of focused productivity during two sessions […]
News from Dartmouth University: Ten books that dare to imagine how society collides with the future have been named to the shortlist of the 2019 Neukom Institute Literary Arts Awards.
In the sequel to the critically acclaimed Hot Moon, set in an alternate 1983, Apollo astronaut Vivian Carter and her crew barely survive an armed attack from mysterious assailants at the lunar South Pole … and that’s just the beginning.
Jean Marie Ward writes about all things weird, wonderful and downright peculiar in her hometown of Washington, DC. Sometimes she writes fiction. It makes a lot more sense than the facts. Her web site is JeanMarieWard.com.
