by Deborah Walker
Productivity gurus love routine and habit. They say you should have a regular bedtime and a regular time to wake up. I don’t do that. But I am an early riser and no stranger to 5 am. It should have been easy for me to test this productivity habit.
Welcome to the July edition of the SFWA Market Report.
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by Deborah Walker
A few months ago, I began to hear great things about Robin Sharma’s bestselling, new book, “The 5 AM Club.” Sharma is a productivity guru whose work is ’embraced by rock stars, royalty, billionaires and many celebrity CEOs’. When I heard the glowing testimonies from more ordinary folk (albeit productivity types), I was quick to order a copy from my library.
by Dan Brotzel
The philosopher of language Paul Grice (1913-88) is best known for his four conversational maxims, which describe what’s going on when people hold a conversation. I want to look at these to see how they can help us in crafting fiction.
by Ellis Cube,
Right now, IP (intellectual property) is everything in Hollywood, and by “everything” I mean its validation—both their and your proof of concept. If your novel draws attention or builds up a sizeable audience, executives/investors will feel more comfortable spending their money on adapting what you’ve created, and they’ll come to you.
by Alex Woolf
“Why do we always have to reinvent the wheel?” my editor once asked me.
When a new book is launched, it’s like introducing a stranger to a largely disinterested world. Potential readers know nothing about its characters or the kind of plot they might expect. Publishers are forced to spend a great deal of money on marketing to give the book a comforting, pseudo-familiar feel. The title and cover design will be reminiscent of other, similar books that readers might already have enjoyed.
by Catherine Lundoff
“You should go to this – it’ll be good for your career” is a phrase that you’ll hear more than once as you start getting published. The phrase gets applied to conventions, conferences, writing workshops, book festivals and classes, just to name a few things. The “good for your career part” can refer to networking opportunities, the chance to meet editors and agents, some opportunity to gain new readership like doing a reading or being on a panel, or honing your craft.
Welcome to the June edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Diane Morrison
Everyone says that indie publishing is the wave of the future. Avoiding gatekeepers, who are often prejudiced against particular ideas or demographics, and putting your work out there to see if it will sink or swim on its own, puts the power (and the money) back in the hands of the writers. I had an unusual idea and format that I realized would have difficulty finding a home because of its experimental nature, so I though I would give it a try.
From the cosmic to the ghostly, A Prisoner of Dreamland and Other Oneiric Terrors presents fourteen tales that take the reader on a tour de force journey through the twilight kingdom of dreams.
Katherine Quevedo hails from Portland, Oregon, where she works as an analyst and lives with her husband and two sons. Her Pushcart and Rhysling nominated fiction and poetry appear in Nightmare Magazine, Asimov’s, Fireside Magazine, and elsewhere.
