by Priya Chand All narrators are unreliable. If you’re reading this thinking “hey, you’re misusing the term; ‘unreliable narrator’ refers to a specific convention”–well, I’m narrating this post, so what follows is all my interpretation! I do, though, genuinely mean to say that all narrators sell readers on a specific version of events and […]
by C.K. Larsen Surely, nothing screams sexy like a bisexual+ woman asking, “How does it feel to kill someone?” Cue the eye roll. Sharon Stone’s persona in Basic Instinct depicts an openly bisexual+ character who is revealed as a violent, sex-craving psychopath, and is just one of the many cases of harmful tropes that […]
Welcome to the January/February edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. New Markets It Gets Even Better Mermaids Monthly Mike Resnick Memorial Award for Short Fiction Out There: Into the Queer New Yonder Upon a Twice Time Currently […]
by Gillian Polack It’s suddenly harder to make a living as a writer. It was never easy. Setsu Uzumé recently wrote on the possibility of obtaining grants from regional or local governments. This article will walk you through some of the steps to get a local or regional government grant. I am Australian, so […]
by Arkady Martine (This article originally appeared in The SFWA Bulletin #215.) On the dining-room table which has become my desk during the endless time-is-a-flat-circle of this pandemic, is a book called Cities that Think Like Planets, by Marina Alberti. It has a subtitle – complexity, resilience, and innovation in hybrid ecosystems – and the […]
by Karintha Parker (This article originally appeared in The SFWA Bulletin #215.) Like so many others connected to this [small-yet-all-consuming] publishing industry, books were my first love. Legend has it that a tiny version of me set eyes on my first library and yelped “oh, Mommy, all these books are for me?!”, convinced that somehow […]
by Rosemary Claire Smith ‘Tis the season when many writers blog and tweet lists of what they’ve published this year in hopes of generating reader interest and consideration for awards. Full stop. Does the prospect of preparing a social media post touting your published work cause you to twitch and shudder? You aren’t alone. Nobody […]
by Noah K. Sturdevant It seems fair to say that authors are constantly scrambling for time to write. I previously wrote about managing this with a baby, and I thought I had things covered. Now I have a two year old. Who knew that a person lacking reason and driven by impulse and the […]
by Henry Lien (This article originally appeared in The SFWA Bulletin #215.) Something I’ve noticed repeatedly in my author appearances, conference panels, and lectures is that discussions about representation and diversity in the arts today focus on the importance of diverse characters and creators. As crucial as that is, diversity can and should also include […]
by Evan Winter (This article originally appeared in The SFWA Bulletin #215.) Not long ago, I was asked where traditional publishing spaces are failing self-published writers, and I think I may have an answer: everywhere. This is because traditional publishing spaces aren’t structured in form or objectives to value the needs of self-published writers and […]
Journey to lost pasts and possible futures with the Accidental Time Travelers Collective, volume 3. The latest installment in the Accidental Time Travelers Collective series features 12 time-travel short stories by an international group of authors.
KC Grifant is an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird west stories.
