Welcome to the January edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by Corrine A. Kumar Fight scenes aren’t just about fighting. While writing technically accurate and action-packed fight scenes is important, if we don’t keep the focus on our characters and our worlds, readers will just skim past them. Fight scenes are a powerful opportunity to show the reader who your character is, where they come […]
by Albert Zhang Science fiction is often much more concerned about the physical than the organizational reality of a setting (and that’s understandable). But a good fundamental economic story can facilitate plot development and lend realism to a setting. To that end, I hope to share some tips for incorporating economic events into your own […]
by the SFWA Publications Crew In recent years, The SFWA Blog has undergone many changes and refinements to serve its community better. Where we once had a single editor, we’re now a team that reviews pitches collectively and looks for ways to bring more voices into the conversation. This past year was an especially exciting […]
by Ira Nayman Early in my short-story writing career, I received a delightful email from an anthology editor who had accepted one of my works. “The hard part is over,” she wrote. “Your story has been accepted. Compared to this, editing will be easy.” What did this editor mean? If a magazine gets 200 submissions […]
by Aaron H. Arm Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. There’s an adage that people like to bring up when discussing current events: “History doesn’t repeat itself, but it often rhymes.”* […]
Welcome to the December edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
Editor’s note: This piece is part of the series Perspectives in Translation, where creators discuss the many facets and challenges of translating fiction. The terms “source language” and “target language” will be used throughout this series. Translation is always a challenging process and can become even more complicated when audiovisual materials are involved. Here, SFWA […]
by Elena Kovalenko Editor’s note: This piece is part of the series Perspectives in Translation, where creators discuss the many facets and challenges of translating fiction. The terms “source language” and “target language” will be used throughout this series. If you’re a writer, translating your work into a different language may seem straightforward. After all, […]
by Libby Schultz The future of digital currencies offers science fiction writers a unique opportunity to enhance their worlds. As a fintech founder and entrepreneur in the crypto industry, I navigate these topics daily alongside regulators, innovators, and organizations. Related challenges impact every level of society, from the people struggling to make ends meet, to […]
A science-fantasy-noir novel inspired by the Nebula-nominated “Tower of Mud and Straw.” Towers, politics, alternate worlds. Kirkus called it “mind-expanding” in a starred review; Daily Mail, “a towering achievement and a genre-busting tour de force.”
S.B. Divya is a lover of science, math, fiction, and the Oxford comma. She is the Hugo and Nebula nominated author of Meru and Machinehood. Her stories have appeared in numerous magazines and anthologies, and she is a former editor of Escape Pod.
