By Cat Rambo You have been told, like so many writers before you, that you must have a social media presence. That nowadays, agents and publishing houses look to see how many Twitter followers you have before opening your manuscript. That it’s all about connection with readers, and the only way to manage that is […]
by Kelly McClymer Do you dream of seeing your indie book in your local library catalog? You are not alone. Many a traditionally published author shares your dream. Here are a few hard facts: Libraries generally purchase hardback library editions (volumes that have had the spines reinforced to hold up for multiple reads). Shelf space […]
By Kamiab Ghorbanpour For many years in Iran, and Persian pop culture in general, science-fiction books, movies, and TV shows were often ridiculed as “testicles-fiction” (تخمی “testicles” and تخیلی “fiction” have a similar stress). This wasn’t always the case, though. During the new wave of science fiction in the ’60s and ’70s, books and shows […]
Welcome to the December edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. The markets included on this list all pay at least $0.08/word in at least one length-category of fiction. New Markets The Crawling Moon: Queer Tales of Inescapable […]
by Gideon P. Smith Getting the science right in SF can make the difference between writing cute stories and great science fiction. If you are a non-scientist writing SF and want to know how to do that, then this blog post is for you. Doing Background Research If science is critical to the overall plot, […]
by Scott King ‘Tis the season for selling. No matter your holiday affiliations, now is the time to be selling books, so let’s recap what you can do to help boost sales this holiday season. Start with your cover. It needs to be the best you can afford to appeal to your target demographic, and […]
Welcome to the November edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. The markets included on this list all pay at least $0.08/word in at least one length-category of fiction. New Markets Apex Monthly Flash Fiction Contest (Upcoming) Book Worms […]
by Andrew K Hoe In our previous post, we examined how battling robots and aliens utilize armaments. Today, we’ll detail human arsenals further to illustrate the options for how imaginary warriors could fight. And since sci-fi armaments like lightsabers are heavily influenced by our earthly swords, we’ll expand our discussion to include fantasy fiction. SINGLE: (baton, […]
The SFWA Events Team is excited to announce our next Connecting Flight panel! These panels serve as a bridge between the 2022 Nebula Conference Online voyage and the 2023 Nebula Hybrid Conference. Next up: “Climate Fiction: Adaptation to a New Literary Landscape” will explore how the panelists approach the future of this genre and this […]
by J. Dianne Dotson Worldbuilding takes many forms in genre fiction. Whether a story takes place on another planet, in a mystical land, or in a hellscape of horror, adding touches of realism enhances the world for its inhabitants. Using ecology is one way to achieve that realism. What Is Ecology? Ecology is the science […]
Set in NYC and a fictional feudal planet, this novel tempts the feral temperament of Internet connoisseurs with a lubricious story that puts the R back into romance. Alas, an AI’s effort to participate here flashes like a horror show throughout.
S.B. Divya is a lover of science, math, fiction, and the Oxford comma. She is the Hugo and Nebula nominated author of Meru and Machinehood. Her stories have appeared in numerous magazines and anthologies, and she is a former editor of Escape Pod.
