The Brit Writers Awards: Questions and Threats
Last December, I blogged about the Brit Writers Awards, an awards program for first-time authors, which was dogged by allegations of loose judging standards and poor communication.
Last December, I blogged about the Brit Writers Awards, an awards program for first-time authors, which was dogged by allegations of loose judging standards and poor communication.
According to Carolyn’s research, aided by Google, there are about 288,355 books published every year by traditional publishers. Current estimates anticipate 800,000 books will be self-published this year. So how do you make your book stand out among literally a million titles?
Updated 9/21/2018 (A PDF of the following is available for download.) Introduction SFWA® sponsors or hosts discussion boards, communication avenues such as the SFWA Slack Channel, social media presences via Twitter, Facebook, YouTube, etc., publications, the SFWA website, Writer Beware®, the Nebula Awards® Conference and Ceremony, the SFWA suite and other programs and activities (the […]
Member News for D. Walters Grintalis, Jennifer Brozek, Allan Cole, Felicity Shoulders, Nancy Kress, and Ferrett Steinmetz.
…today’s post is about zombie literary agencies… agencies that die only to rise again and lurch out onto the Internet in search of writers’ brains.
This is why I started blogging more than ten years ago. I wanted to connect with and learn from writers who knew what the heck they were doing. I found those people online. I read their journals, commented in their posts, and eventually got to know some of them.
This year’s judges were Andrew Hook, Sacha Mamczak, Mark Rich, Sean Wallace, and Kim Wilkins.
I remember being impressed with Star Trek’s Captain Kirk as a kid. Not because he could karate chop unsuspecting alien guards into unconsciousness with one blow, but because he could think his way to victory as often as not.
Recently, a consortium of university libraries called HathiTrust decided to make more than one hundred digitized books available as e-books to the universities’ communities because the books were “orphans,” works for whom the rightsholders could not be located after a diligent search.
Small press publishing is inherently risky–for publishers as well as for authors–and while the situation at AMP is uglier than many, it’s also far from unusual.