Guest Post: The Joy of Discovery
…I firmly believe that the joy found at the heart of reading is the same joy found at the heart of writing: it is the joy of discovery.
…I firmly believe that the joy found at the heart of reading is the same joy found at the heart of writing: it is the joy of discovery.
The issue of orphan works–out of print, still-in-copyright books, films, photographs, etc. whose rightsholders can’t be found–is one that has been much in the news lately.
Voting for the 2011 Nebula Awards, the Ray Bradbury Award for Outstanding Dramatic Presentation, and the Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book is now open to all SFWA Active and Lifetime Active members. Ballots may be cast from March 1 to March 30, 2012 11:59pm PDT. SFWA Active and […]
Launch Pad Astronomy Workshop, held in Laramie, Wyoming, is now accepting applications for its 2012 session.
I’ve written too many stories and books now to not notice patterns of theme, image, character type, etc, emerge over and over. It can be a bit disconcerting to see ones own obsessions so clearly after a while. But the upside is that you can then take possession of those obsessions consciously, and mold them in ways that you might not have when you hadn’t realized they were there in the first place.
Author Mark Bourne, 50, died Saturday February 25, 2012.
His short fiction appeared in Asimov’s Science Fiction, The Magazine of Fantasy & Science Fiction, Realms of Fantasy, and numerous anthologies.
While there are certainly advantages to Amazon’s program, anyone who thinks Amazon is in this to help authors is a fool. Amazon, like pretty much any other business, is in this to make money.
Writer Beware hears from a fair number poets. Much of the time, they’re contacting us to ask about self-publishing, or to check the reputation of a journal or a contest. Sometimes, unfortunately, they’ve gotten mixed up with one of the vanity anthology companies, such as Eber and Wein.
Script Frenzy is an international writing event in which participants take on the challenge of writing 100 pages of scripted material in the month of April.
Basically, genre is a very useful guideline for grouping together novels that share certain characteristics, but I think it can also be a trap–what Ursula Le Guin and many others referred to as the ghetto. It tends to create books that are in dialogue with nothing else but genre: and, again, dialogue is a good thing, and a terrific way to create new literature; but it’s not the only one.