I often see small presses using a contract template they’ve picked up from somewhere, which may employ outdated terminology (such as referring to plates or unbound sheets) or contain unnecessary language (such as including a revised editions clause in a fiction contract) or make inappropriate claims on subsidiary rights (a larger publisher may be able to do something with translation rights, for instance, but there’s no reason in the world for a cash-strapped, contactless small press to claim them).

A stopped clock is right twice a day. A dodgy publisher is right…well, less often. But sometimes

If you’ve been reading this blog for long, you may have guessed that I’m not a big fan of writing contests.

Many writers assume that a literary agent’s inclusion in a market guide or listing–whether it’s a print book, such as Jeff Herman’s Guide, or a website, such as QueryTracker–is an imprimatur of reputability. Surely the agent wouldn’t be listed if there were any questions about his/her honesty or competence.