This contract was written under the direction of the SFWA® Contracts Committee. The model or sample contracts have been written as a guide to writers in understanding common publishing contracts and to help them negotiate better contracts. They are not intended to be used as boilerplate contracts by publishers, writers, or agents, nor should such […]
One of the things that bothers me sometimes when looking at world-building is the way people don’t think about where objects come from. What is the industry that fuels the region? Where does all that paper come from in Battlestar Galactica? So this essay on the origins of a pencil tickles me no end, and […]
Today, thanks to the internet age, it is no longer necessary to pore over pages of microscopic script in order to learn where to submit your fiction. There are a number of online venues that specialize in providing just such information. Allow me to share some of my favorites.
by Justin Stanchfield Is writing science fiction or fantasy for younger markets really different? Well … Yes and No. It’s true that children’s lit, especially for early readers, can follow a simpler format than mainstream fiction. But … Everything you know about writing, all the rules, guidelines and advice you’ve been given before still applies. […]
by Carol Ottolenghi This article first appeared in Speculations. Copyright © 1997 by Carol Ottolenghi. All rights reserved. Most of us, unless we’re independently wealthy, wring our writing time from those moments between job, family, and basic living obligations. So, if it’s fiction you yearn to produce, why waste any of that precious time writing […]
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by Terry McGarry Originally appeared in the Bulletin of the Science Fiction and Fantasy Writers of America, Spring 1995. Copyright © 1995 Terry McGarry. Reprinted with permission. Many copyeditors prefer to spell the word “copyeditor.” I laughed when I got page proofs of a short story I had written about a copyeditor: the anthology’s copyeditor […]
It’s the nature of writers to fall in love with words, particularly their own. Clever turns of phrase excite us; we beam like proud parents when our protagonists take on lives of their own; a shapely plot twist can turn our heads. There is nothing wrong with indulging in the occasional fling-as long as it stops in draft. When time comes to make that final revision, however, you must harden your heart, sharpen the ax and murder your darlings.
by Alexandra Elizabeth Honigsberg It’s often said that nothing learned goes to waste. Certainly we as writers find this is true. Everything is grist for the story mill. I’ve also noticed that, as I read the bios of my fellow authors, we have chequered pasts and still tend to wear several hats. I am no […]
by Dr. Debra Doyle This rant first appeared in the book review section of hwæt!, my zine for Apanage, a children’s literature apa. Later on, I posted it in the Doyle&Macdonald topic on GEnie’s Science Fiction RoundTable. And after that, it seems to have taken on a life of its own. The Giver (the 1994 […]
The second volume in the Aurora Award-winning and World Fantasy Award-nominated Year’s Best Canadian Fantasy and Science Fiction series offers readers the essential collection of
outstanding works by Canadians from the past year.
Steven D. Brewer teaches scientific writing at the University of Massachusetts Amherst. He writes steampunky romantasy and fluffy military space opera, often with an LGBTQIA+ focus. Brewer lives in Amherst, Massachusetts with his extended family.
