by Corrine Kumar We grow as writers by reading, but we often read passively—leaving the understanding of stories to our subconscious. Passive growth is important, but active reading can raise our storytelling to new heights. Over the last two years, I have developed a system of actively reviewing each novel I read, and this process […]
By Sascha Stronach Note: This article first appeared in The Bulletin #216 in October 2021. Publishing (verb): the act of smashing your head against a wall until you see daylight. Publishing From Outside America (verb): as above, at long range. In the aftermath of CoNZealand, the 78th Worldcon, there was a palpable feeling of betrayal […]
by Yilin Wang Note: This article first appeared in The Bulletin #216 in October 2021. When I tell other writers who are not familiar with Sinophone literature that I am writing short stories and a novel that play with the wuxia fiction genre in English, I am often met with one or more of the […]
by Karlyn Meyer Note: This article first appeared in The Bulletin #216 in October 2021. I started making my first video game the week I found out I was pregnant. Games featured heavily in my relationship with my partner; we had played video games together in college, and even got engaged while doing so, and […]
by Nilah Magruder Note: This article first appeared in The Bulletin #216 in October 2021. I am a cartoonist. I draw. I write. I draw and write simultaneously. Much of my work these days is in graphic novels. It has fed me and kept a roof over my head for the past few years, but […]
Congratulations, You’ve Published Your Work and You Have Fans (and Critics): So What Do You Do Now? by Amber Benson Note: This article first appeared in The Bulletin #216 in October 2021. Before you can become a creator, you have to be a fan first. As the irrepressible Hannibal Lecter says in the film The […]
by Khaalidah Muhammad-Ali Note: This article first appeared in The Bulletin #216 in October 2021. An editor does more than ensure that grammar, punctuation, and sentence structure are correct. Our job is to help writers craft stories that do more than occupy space on the page. We advocate for writers and partner with them to […]
by Valerie Valdes Note: This article previously appeared in The Bulletin #216 in October 2021. You open the SFWA Bulletin to start reading an article about second person point of view (POV), and immediately you’re put off. You didn’t expect the article itself to use this POV, since most articles don’t. What a cheap gimmick, […]
UPDATE 12/3/2021: The NZ National Library has announced that they will be reconsidering their plans for this archival deal “in light of concerns raised by the various interested parties, including issues associated with copyright. The National Library will not export any of the OPC until it considered its next steps.” The full press release from […]
We’re pleased to announce that the second season of Narrative Worlds will debut on Sunday, November 21, at 1:00pm Pacific Time! Part of the ongoing 2021 Nebula Conference Online, this worldbuilding webinar series is hosted by best-selling author and SFWA member Kate Elliott. Her guest for the first episode of Season 2 will be award-winning […]
Alex Delmore wants out of her dead-end suburban town, but her parents are broke, her brother is an idiot, and NYU seems like a distant dream. Good thing there’s a genie in town—and he’s hiring at the Wellspring Mall.
L. Marie Wood creates immersive worlds that defy genre as they intersect horror, romance, mystery, thriller, sci-fi, and fantasy elements to weave harrowing tapestries of speculative fiction. Wood is a Professor of English and Creative Writing.
