by Jennifer Brozek When I first attended conventions or traveled for the holidays, my freelance work suffered. Not just during the event but for the few days before and after the event as well. I knew this and scheduled for it. This worked for me for a while. However, as my writing and editing project deadlines […]
by Jeremiah Tolbert
I once sat beside a campfire in Washington and listened to a man with a pistol strapped to his waist lecture for an hour about the ecology and habits of the Sasquatch. Meanwhile, my companions–a college professor and two high school teachers–had taken up buckets in a circle around our camp and were drumming to attract the great skunk ape into our midst.
by Nancy Fulda
My oldest sister is very wise. Once, long ago, when I was struggling to master a difficult situation, she sent me a letter about strength and weakness. The gist of the content was this: Many strengths are the flip side of weakness.
From the Odyssey Writing Workshops Charitable Trust: This winter, the Odyssey Writing Workshops Charitable Trust is offering three live online courses with the same high quality and rigorous approach as its acclaimed, in-person Odyssey workshop: Showing versus Telling in Fantastic Fiction, One Brick at a Time: Crafting Compelling Scenes, and Effective Endings in Speculative Fiction. […]
by Cat Rambo
Are you putting words on the page? Then you are doing it right.
You may not be creating publishable words. You may not be creating amazing words. You may not be creating words you like. But by creating words, you are doing something actual, tangible, verifiable. And that puts you ahead of all the people who aren’t writing.
By Leo Babauta
I’m here to talk about how I push past what Seth Godin calls “The Dip” — that slump that we all hit when things get hard, which is (sometimes) before the place where things get great.
I’ve spent much of my life jealous of those around me who were naturally talented at things. I’ve always wished I had something resembling talent in visual arts; I have never been able to draw, and it’s a talent I greatly admire.
by Caren Gussoff
We’re on the front lines of the changing publishing industry, and for all the insecurities that encompasses, we have a growing number of tools that help reach out and sell directly to fans. Of these tools, perhaps the one most successful has been the online crowd funding platforms.
In the last few months we have seen reports of possible issues with several publishers including late or non-payment, contract violations and a lack of promised publicity support. We would like to remind members that while the Board is definitely concerned about these reports, we cannot act without first-hand information.
by John Scalzi
When I’m out and about and recount my tour adventures to people (I can reel off my itinerary just about in my sleep at this point), the question often arises about whether all this touring is actually still useful and/or desirable in an age where so many people get their books electronically, and when one (or at least, one like me) can show up to a comic con, at which between 20k and 50k people will show up in one place, where you also happen to be.
In these provocative, mind-bending tales you’ll find alternative realities, surreal landscapes, haunted mansions, future battlefields, enraged poltergeists, mythological mischief-makers, and freedom fighters on a far planet.
Robyn Dabney, an author and freelance copyeditor, is known for her fantasy trilogies, The Soul Mender Trilogy and The Daughter of the Summit & Sea (The Ascenditure), as well as her sci-fi short Cracked and horror short The Utburd.
