by Richard J. Chwedyk
When I started “teaching” the Science Fiction Writing Workshop for undergrad and grad students at Columbia College Chicago, I had no idea what my priorities should be. There’s an obvious plethora of things you want to communicate – a million things you want your students to know. But I wondered: what’s the most important thing for your students to come away with?
If you’re going to be at MidAmeriCon II on Aug 20th, be sure to check out the SFWA’s Meet-and-Greet with Margot Atwell, Kickstarter’s Publishing Lead.
by Susan Forest
I like seeing a passage, whether my own or someone else’s, improve with a changed word choice, a question answered, or an idea clarified or extended. To create an entirety—a book—from the discrete stories that make it up, by juxtaposing ideas, styles and emotional content, was a satisfying and creative process that was new to me.
Steam Press, a New Zealand publisher, is running a world-wide competition for short-short science fiction stories. All stories will be considered for possible publication and the winning entry is awarded a prize of USD$500.00.
by Russell Galen
Have an agent. If you feel you don’t need one, find another human being to whom you have no emotional attachments, who knows a lot about the IP business, will tell you the truth, will be a sounding board for your literary and business questions, and will speak to the buyers of your work so that you can keep some distance from them.
by Cat Rambo
So this morning one of the items that’s been hovering in the wings for a couple of weeks now finally went out, which was the announcement of the game writing qualifications. Since there there’s been a lot of stir and some questions about it. So here’s some answers.
by Mary Rosenblum
So you can publish on Amazon.com, but if you’re successful they’ll yank your book? What kind of catch 22 is this? Ah, oh yes, all you authors who are trading reviews? Amazon.com, according to that helpful associate Brad spoke to, is ‘looking at’ Goodreads, too. Their own company! They’re looking at authors who connect up to swap reviews… If most of your reviews come from other authors, you might want to think about this.
by Sylvia Spruck Wrigley
As a science fiction writer, I’m always on the lookout for cutting edge technologies that might spark an idea for a story. This time, an initiative called Project Scarlet Eagle came looking for me. At first it was all hush-hush, but now I have permission to tell you everything[1].
Welcome to the July Market Report for SF/F. Magazine News: Deep Magic is a bi-monthly electronic magazine that publishes clean short fiction in the fantasy and science fiction genres. Our issues are also filled with author interviews, art features, book reviews and tips for writers. Most of our nonfiction pieces are invitation only to industry professionals […]
by K. Tempest Bradford
I use the Diigo Outliner, a versatile online tool that I recommend to teachers and writers who want to arrange collections of links and text in an easy to scan and understand way.
This sweeping urban fantasy explores what it means to be human in a world where humanity itself may be optional, where ancient gods run pawn shops, and where the difference between monster and hero often depends on which side of the story you’re telling.
Brian Pinkerton is the author of The Perfect Stranger, The Nirvana Effect & The Gemini Experiment. Publishers Weekly praises his tech thrillers, “Fans of stories centered on the conflict between the virtual and the real will find plenty to enjoy.”
Come celebrate our diamond year with us! Register now for SFWA's 60th Annual Nebula Conference, hosted at Kansas City, MO, and also online, from June 5-8.
