by Ethan Ellenberg
It’s a whole new world of Author opportunity for anyone with a backlist and that includes the Estates of deceased Authors.
I’ve written this post to provide an overview of what Authors and Heirs should be monitoring and pursuing.
by Douglas Phillips
Sometimes, we get dragged into legal battles whether we like it or not. This happened to me, and I want to be sure every author hears the story, because it could happen to you too.
by Brenta Blevins
Invention is, simply, the process of identifying what to write. But, whether you’re new to writing or a prolific pro, invention doesn’t always feel simple when you’re stuck on a blank page or screen.
by Paul Jessup
Monsters and genre fiction go hand in hand. Or rather, claw in claw, if we’re being cheeky about it. From the mad science creations and aliens of science fiction, to the supernatural and mythic of fantasy and horror, there are monsters everywhere, even from the very start.
by Kevin L. O’Brien Welcome to Part Two of a series that examines technology and medieval machines that can be used in worldbuilding. In the first post of this series, I described how a quasi-medieval society could smelt all the iron it needed to generate and sustain an industrial revolution. However, while it could […]
by Katherine Quevedo
A lot of discourse these days builds up the case for why the world needs more empathy. It’s not a hard case to make. When placed against the backdrop of artificial intelligence (AI) and the possible technological singularity, I believe empathy could become a source of competitive advantage for our species as a whole.
by Kevin L. O’Brien
Welcome to Part One of a series that discusses technology and medieval machines that can be used for worldbuilding.
Many fantasy stories gloss over technological details that would be vital in a real-world setting. For example: how would a medieval-level society acquire the iron it needs for tools and implements?
by Richard J. Chwedyk
Theodore Sturgeon once wrote this, emphatically, honestly, and truly: “One should write fiction carefully and consciously to someone, as one writes a letter; and the selection of that someone is the single most important skill that a writer can develop.”
by Sally Wiener Grotta
I write to understand. My characters and plots are formed in a subconscious that churns with confusion or concern about how the world functions (or fails to function). As I write the story my characters tell me, I find myself posing questions that “reflect and even explain the differences and forces that relate them all… hold them together… or tear them apart.” The journey is what matters to me.
by Ethan Ellenberg
Now we are in a whole new world. There are different ways to be published and author incomes are coming from a far wider range of sources. The standard book agreement that routinely grants the mainstream book publisher a license for the ‘term of copyright’ has to be re-considered.
This historical horror story follows Kenneth Lockwood, a Lieutenant in the British colonial armed forces, marching from Nigeria to East Africa during World War II as he comes face to face with the horrors of colonization and war. A free eBook.
Katherine Quevedo hails from Portland, Oregon, where she works as an analyst and lives with her husband and two sons. Her Pushcart and Rhysling nominated fiction and poetry appear in Nightmare Magazine, Asimov’s, Fireside Magazine, and elsewhere.
