by Laurence Raphael Brothers Introduction Short fiction submissions can be challenging. There are many factors to juggle in deciding what to submit, and where. “Submission Tetris” is the game of matching your available stories with magazine and anthology slush calls. Markets and Market Lists The two leading short fiction market and submission trackers are The […]
by Jeffe Kennedy As part of the writing and reading community, we all end up recommending books. Sometimes we stumble upon a request and can’t resist replying. Other times, we get tagged in a request—someone will tweet “I love @jeffekennedy’s books, but I’ve read them all. What else can I read like those?” Sometimes the […]
By L. D. Lewis (This article originally appeared in The SFWA Bulletin #214.) In much the way too many crows is a murder, I have what is effectively an embarrassment of a TBR pile. It sits in various stacks atop my dining room table and beside the box containing the tall bookcase I have yet […]
Science Fiction and Fantasy Writers of America (SFWA) is extremely pleased that the U.S. Copyright Office has issued a new copyright registration rule that will allow authors to register up to fifty short textual works published online for a single flat fee. SFWA, along with the National Writers Union, Horror Writers Association, and American Society […]
by J. Scott Coatsworth This article continues J. Scott Coatsworth’s interviews and compilation of information examining how SF/F magazines are faring during the COVID-19 crisis. Amazing Stories, Analog, Asimov’s, Beneath Ceaseless Skies, Clarkesworld, Escape Artists, Fantasy & Science Fiction, Fireside Magazine, Fiyah Lit Mag, and Strange Horizons responded to Coatsworth’s inquiries. Most of these responses […]
by J. Scott Coatsworth I was in the annual SFWA business meeting a few weeks ago when someone asked how SF/F magazines were faring through the COVID-19 crisis. SFWA President Mary Robinette Kowal asked for a volunteer to check things out. I raised my hand, and when SFWA gave me the go-ahead, I sat down […]
Writing ‘POC’ is not enough. It doesn’t merit applause, or points for diversity. What does merit applause and accolades is acknowledging and depicting unreduced minorities—especially marginalized voices—in writing. We are not a monolith. Our stories are as complicated and intersectional as anyone else’s.
by Leanna Renee Hieber
I’m often asked if my professional theatre and playwrighting background helps me as a fiction writer. It does in countless ways. Theatrical form, training and structure are holistically integrated into how I see the world and operate as a storyteller.
by Cat Rambo,
I’ve talked about how to work with a mentor previously, so I wanted to follow-up on that by talking about something that overlaps a bit with that: asking for favors.
by Katherine Quevedo
Looking for unconventional, potentially striking ways to explore what it means to be human in your writing? It may seem counterintuitive, but personification—ascribing human qualities to inanimate objects—can open new avenues to plumb the depths of human experience.
They are the last survivors of the settlers of the moon Sturnus, forty children rescued by the benevolent people of the planet Janus. Except Bear is starting to remember, and what he remembers is nothing like what he and the others have been told.
Auston Habershaw is a science fiction and fantasy author, writing about the could-be and never-was, and also teaches composition and literature at MCPHS University in Boston, MA.
