by Richard J. Chwedyk
Theodore Sturgeon once wrote this, emphatically, honestly, and truly: “One should write fiction carefully and consciously to someone, as one writes a letter; and the selection of that someone is the single most important skill that a writer can develop.”
by K. C. Norton
For the past three years, I have been working as a ghostwriter, writing coach, and English tutor. In my line of work, I almost invariably partner with people who are writing or editing their memoirs. For the most part, they’re content to know that I have a Master’s degree, but occasionally they want to know if I’ve published anything, and if so, what kind of stories I write for myself. I both dread and relish this moment, because it’s a chance to reveal my dirty secret: my preferred genre is Science Fiction.
by Sandra M. Odell
I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era. Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world.
by Barbara E. Hill
Because of this diminutive rose-colored darling I learned a lot about life, relationships, and especially about writing.
“But… wait, what? Writing?” you ask. “A donkey taught you about writing?”
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
by Tim Susman
Since it’s fall and ghosts are in the air, I thought it might be a good time to talk about my research into vodou/voodoo, the religion and spiritual practices that coalesced on Haiti among the African slaves there and spread to America, most commonly and famously in New Orleans (for the purposes of this article, I use “vodou” to refer to the Haitian religion and “voodoo” to refer to the New Orleans practices).
by Douglas Smith
Eventually, I came to understand these stories were transcribed from versions people remembered being told when they were young or used to tell their children. Story telling was an oral tradition.
by Erica Satifka
According to the World Health Organization, one out of every four people will be affected by mental illness at some point in their lives. Considering this, it’s important to not only feature characters with mental illness prominently in one’s writing, but to treat the subject with sensitivity and accuracy.
by Stewart C Baker
Fiction writing is often presented as an intensely solitary pursuit, but look at the end of a published novel some time and you’ll see the author thank at least a dozen people for their help. And then there’s co-authoring…
by Cat Rambo
One question comes up more than any other when I teach writing: how do I know when a piece is ready for submission?
In this vibrant and approachable book, award-winning writers of black speculative fiction bring together excerpts from their work and creative reflections on futurisms with original essays.
E.E. King is an award-winning painter, performer, writer, and naturalist.
She’s a member of WSFA and HWA,
HerNovel, Gods & Monsters is being serialized weekly on MetaStellar magazine https://www.metastellar.com/books/gods-and-monsters-by-e-
