Archive for the ‘The Craft of Writing’ Category

From the Inside Out: Worldbuilding Through Extrapolation

by Suyi Davies Okungbowa

It’s virtually impossible to do ALL of your SFF worldbuilding prior to writing your book/story. How much weight is given to each stage depends on the author (some prefer to do a lot before starting, some build nothing before writing). My own preference is to build the foundation–just enough to get me started, then build more along the way, and go back and change stuff after I’m done.

The Art of the Playlist

by Paul Jessup

Ever since I first started taking writing seriously as a teenager, I’ve always written to music. Back then it was a bit more difficult than it is now, in the days of Spotify and gigantic playlists that can stretch on for hours or even days. Back in those days I would make mix tapes for my writing, each story and scene would get its own mixtape of songs that I felt carried the tone and the emotion of what I’m trying to convey.

How to Avoid Writing That’s as Clear as a Mountain Stream

by Chris Sumberg

The phrase “clear as a mountain stream” gets splashed around pretty loosely, sometimes in reference to clear writing but also in reference to the sometimes not-at-all-clear names of actual bodies of water, clear or otherwise. When you take time to examine the hard, cold facts, it makes you wonder if writing that is as clear as a mountain stream is, in fact, very clear at all.

The Productivity Monkey

by Deborah Walker

I don’t find productivity to be a one size fits all discipline. Sometimes a theory or technique just doesn’t resonate for me. For example, I’ve never got on with the Pomodoro technique, but some authors love it. I listened to a podcast recently where a motivational speaker was very insistent that if you don’t have goals then you can’t achieve anything worthwhile. Goals aren’t for me. I’d rather define processes rather than goals. I’ll write every weekday rather than I’ll finish a novel in a year. Many productivity experts swear by meditation, but I don’t care for it. The best advice for techniques is to try them on for size and see if they fit.

The Ultra-Novelist

by Hunter Liguore

When it comes to writing, especially the novel, we can never give up! We’re essentially running our own ‘ultra-marathon.’ Looking at a runner who will traverse 100 miles over 30 hours, we must see the significant amount of training that went into this. Considering the above scenario, this ultra-runner must’ve spent at least half to a full year of deliberate planning/training just for this one race.