by Mary Robinette Kowal
A lot of writers have a goal of being a full time writer. I think there’s this image of your life continuing exactly as it is, except that now your job is writing. Sure, you know you won’t go into an office, but it will be so nice to have no demands on your time, except writing.
Each summer, writers of the fantastic come from all over the world to attend the Odyssey Writing Workshop. Odyssey is one of the most highly respected programs for writers of fantasy, science fiction, and horror.
by Randy Henderson
Happy New Year!
Rather than share events from my past year, I thought I’d offer a bit of encouragement and advice to help with the coming year. While this is aimed primarily at my fellow writers, it also, I think, can be applied to life in general.
Lots of people think, “I should learn a language,” or “I’m going to start exercising soon” … but then don’t actually take action. That’s because they haven’t really committed to getting started. In our minds, we half commit to things all the time.
by Nancy Fulda
If you write stories, this has probably happened to you:
The words are flowing. The plot is exciting. Your characters, faced with overwhelming odds, find themselves in the midst of a difficult and absolutely enthralling situation. It’s the Big, Dramatic Moment of your story – and you have no idea what happens next. The bad guys are too strong, the social pressures are too powerful, the pit is too deep, or your character is too broken. Try as you might, you can’t think of a single way to get your protagonist out of the current crisis.
by Jason Sanford
This has been a tough writing year for me. I finished my first novel only to learn that at this point in my writing career it’s going to be a hard sell. I’ve struggled with short fiction, publishing only two stories this year. I’ve even wondered why I’m writing stories in the first place (which probably ties back with the issues I’ve had with the novel and short fiction). All of this caused me to step back and reflect on my writing career up to this point. And I’ve realized I’ve made just about every mistake an author can make, career-wise.
by Deborah Walker
I’ve written a fair few aliens since reading it, always thinking about that advice, but with an added aspect: stealing blatantly from Mother Nature.
by Jennifer Brozek When I first attended conventions or traveled for the holidays, my freelance work suffered. Not just during the event but for the few days before and after the event as well. I knew this and scheduled for it. This worked for me for a while. However, as my writing and editing project deadlines […]
by Jeremiah Tolbert
I once sat beside a campfire in Washington and listened to a man with a pistol strapped to his waist lecture for an hour about the ecology and habits of the Sasquatch. Meanwhile, my companions–a college professor and two high school teachers–had taken up buckets in a circle around our camp and were drumming to attract the great skunk ape into our midst.
by Nancy Fulda
My oldest sister is very wise. Once, long ago, when I was struggling to master a difficult situation, she sent me a letter about strength and weakness. The gist of the content was this: Many strengths are the flip side of weakness.
They are the last survivors of the settlers of the moon Sturnus, forty children rescued by the benevolent people of the planet Janus. Except Bear is starting to remember, and what he remembers is nothing like what he and the others have been told.
Dilman Dila is a writer and filmmaker. His books, Where Rivers Go To Die, was shortlisted for the PKD Awards (2024). He was shortlisted for the BSFA Awards and the Nommo Awards for Best Novella. Watch his scifi films on patreon.com/dilstories
