When attending a social function–whether it’s a small gathering at someone’s home, or a political fundraiser, or a room party at a convention–you are being gifted with the opportunity to meet, mingle, and make contact with a wide variety of people. What I intend to do here is give some pointers on how to get the most out of any social gathering, whether you’re there for business or for pleasure.
So here it is. You’re a fairly “new” writer, or at least new to the convention scene, and you desperately want to make some industry contacts in the hopes that it will make it easier to get an agent/sell your work/quit your day job and hire a cabana boy/any of the above. You decide to go to a convention, perhaps picking one of the “big” ones such as WorldCon, or World Fantasy, because you’ve heard that editors and agents are absolutely spilling out the doors.
Here are some guidelines/rules/suggestions to go by:
This .pdf document is an annotation of the Amazon Kindle contract as it was posted on Amazon’s Web site (downloaded in February, 2008).
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This contract was written under the direction of the SFWA® Contracts Committee. The model or sample contracts have been written as a guide to writers in understanding common publishing contracts and to help them negotiate better contracts. They are not intended to be used as boilerplate contracts by publishers, writers, or agents, nor should such […]
This contract was written under the direction of the SFWA® Contracts Committee. The model or sample contracts have been written as a guide to writers in understanding common publishing contracts and to help them negotiate better contracts. They are not intended to be used as boilerplate contracts by publishers, writers, or agents, nor should such […]
This contract was written under the direction of the SFWA® Contracts Committee. The model or sample contracts have been written as a guide to writers in understanding common publishing contracts and to help them negotiate better contracts. They are not intended to be used as boilerplate contracts by publishers, writers, or agents, nor should such […]
by Justin Stanchfield Is writing science fiction or fantasy for younger markets really different? Well … Yes and No. It’s true that children’s lit, especially for early readers, can follow a simpler format than mainstream fiction. But … Everything you know about writing, all the rules, guidelines and advice you’ve been given before still applies. […]
by Carol Ottolenghi This article first appeared in Speculations. Copyright © 1997 by Carol Ottolenghi. All rights reserved. Most of us, unless we’re independently wealthy, wring our writing time from those moments between job, family, and basic living obligations. So, if it’s fiction you yearn to produce, why waste any of that precious time writing […]
A science-fantasy-noir novel inspired by the Nebula-nominated “Tower of Mud and Straw.” Towers, politics, alternate worlds. Kirkus called it “mind-expanding” in a starred review; Daily Mail, “a towering achievement and a genre-busting tour de force.”
Katherine Quevedo hails from Portland, Oregon, where she works as an analyst and lives with her husband and two sons. Her Pushcart and Rhysling nominated fiction and poetry appear in Nightmare Magazine, Asimov’s, Fireside Magazine, and elsewhere.
