by William C. Tracy Congrats! You’re an indie author! You’ve written a book, (hopefully) had critiques and edited it, put it all together, and thrown it up on Amazon. Time to watch the money roll in, right? Well, not exactly. Amazon books don’t sell themselves. Especially in these waning years of the golden indie author […]
by Kelly McClymer Do you dream of seeing your indie book in your local library catalog? You are not alone. Many a traditionally published author shares your dream. Here are a few hard facts: Libraries generally purchase hardback library editions (volumes that have had the spines reinforced to hold up for multiple reads). Shelf space […]
by R J Theodore An author promoting their upcoming release might feel like Sisyphus, because the effort to keep people aware of your book is neverending. When you let up on promotion, you and your boulder wind up back at the bottom of the slope. When you do benefit from a flash of attention, you […]
by Carien Ubink It’s important to get reviews, but if you ask in the wrong way, your request might be deleted right away. So here are some do’s and don’ts when asking a blogger or fellow author for a review. Do your research. This means you need to have a good look at the blog/site/profile […]
by Evan Winter (This article originally appeared in The SFWA Bulletin #215.) Not long ago, I was asked where traditional publishing spaces are failing self-published writers, and I think I may have an answer: everywhere. This is because traditional publishing spaces aren’t structured in form or objectives to value the needs of self-published writers and […]
by Jeffe Kennedy As part of the writing and reading community, we all end up recommending books. Sometimes we stumble upon a request and can’t resist replying. Other times, we get tagged in a request—someone will tweet “I love @jeffekennedy’s books, but I’ve read them all. What else can I read like those?” Sometimes the […]
by Catherine Lundoff
Got a new book coming out? If you need to do all or even some of your own publicity, a multi-pronged approach to getting the word out about it can very helpful. And, if you’re like most writers, your budget is somewhat limited. So let’s talk about what you can do that promotes your work, but keeps that promotion affordable.
by Alan Bailey
Podcasters generally have a mixed reputation. Why? I’m not totally sure. Perhaps it’s because the entry fee is low, and anyone with an opinion can put it out there. The sheer number of podcasts doesn’t help either. So, how do you know which are worthwhile?
by KJ Kabza
A legitimate publisher approaching an author, rather than the other way around, is both very flattering and very rare. But because of its rarity, the experience had a downside: I had been convinced it could never happen to me, so I was not ready in case it did.
by Mary Rosenblum
How can I advertise my book with photos?
I hear that all the time when I suggest Instagram to author clients, followed by the sound of the exit door slamming on the author’s heels…
But Instagram is a huge and well established social media platform, and if you’re writing for teens through mid-twenties readers, this is the social media you want to master. Even Forbes Magazine has taken note of Instagram’s role with an article Can Instagram Keep People Reading Books?
From the cosmic to the ghostly, A Prisoner of Dreamland and Other Oneiric Terrors presents fourteen tales that take the reader on a tour de force journey through the twilight kingdom of dreams.
Auston Habershaw is a science fiction and fantasy author, writing about the could-be and never-was, and also teaches composition and literature at MCPHS University in Boston, MA.
