by Marie Croke Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. From phones and tablets to computers, we all tend to fall into habits once we turn the power on, whether those […]
by Jeremy Zentner Spaceships have been iconic in science fiction ever since Jules Verne wrote From the Earth to the Moon. There are many features for writers to consider when designing their craft, including microgravity, faster-than-light (FTL) capabilities, journey time, habitation and resources, whether there’s a menacing AI on board, and so much more. In […]
By Rachael K. Jones Work-for-hire writing jobs are common in novel-length work, especially in the world of tie-in fiction, but rarer in short fiction. If you’re primarily a short fiction author, you might be caught off-guard if approached with this kind of work. You may not have an agent who can give you advice. You […]
by Jelena Dunato When my publisher prepared the marketing strategy for my upcoming novel Dark Woods, Deep Water, one of the obvious labels proposed besides “fantasy” and “dark” was “Slavic.” It’s clear why—I’m Croatian; I’ve written a book featuring Morana, the Slavic Goddess of Death. And yet, this label caused me intense discomfort. It took […]
By M.K. Hutchins Soft magic has been with us since humans had stories: it’s in our fairytales, our folklore, and continues to be popular today, appearing in everything from Studio Ghibli films to the writings of Terry Pratchett, to Axie Oh’s The Girl Who Fell Beneath the Sea. Soft magic usually gets defined by what […]
By Cat Rambo You have been told, like so many writers before you, that you must have a social media presence. That nowadays, agents and publishing houses look to see how many Twitter followers you have before opening your manuscript. That it’s all about connection with readers, and the only way to manage that is […]
by Kelly McClymer Do you dream of seeing your indie book in your local library catalog? You are not alone. Many a traditionally published author shares your dream. Here are a few hard facts: Libraries generally purchase hardback library editions (volumes that have had the spines reinforced to hold up for multiple reads). Shelf space […]
by Hunter Liguore Creating new characters takes a careful eye. When an idea comes, we might rely on familiar images to fashion characters that aren’t truly our own, but rather influenced through media images or by people we’ve encountered or known well. What is often missed in the early drafting of characters is the up-close […]
By Anessa Kemna Science fiction and fantasy should be the perfect places for disability representation. Writers make the rules in their worlds. But it’s difficult to find disabled characters and even harder to find quality representation in the SFF genres. It’s difficult in mainstream fiction too, but a genre built on imagination should have higher […]
by Carien Ubink It’s important to get reviews, but if you ask in the wrong way, your request might be deleted right away. So here are some do’s and don’ts when asking a blogger or fellow author for a review. Do your research. This means you need to have a good look at the blog/site/profile […]
The second volume in the Aurora Award-winning and World Fantasy Award-nominated Year’s Best Canadian Fantasy and Science Fiction series offers readers the essential collection of
outstanding works by Canadians from the past year.
Laurie Stevens is the author of the multi-award winning Gabriel McRay suspense series and The Return, a new sci-fi/fantasy that pits AI against human consciousness.
