Today the board of directors of SFWA voted to add the magazine Would That It Were retroactively to the list of SFWA qualifying markets. When Would That It Were began publishing in 2000, online magazines were in their infancy. The market criteria at SFWA was geared toward print magazines and at the time there was some […]
Posted by Victoria Strauss for Writer Beware
How do you get to Carnegie Hall? Practice, practice, practice.
This old saw applies to writers as much as to musicians. In today’s guest blog post, author and writing teacher Barbara Baig explores the impo…
An important part of developing as a writer is learning when to trust your voice, and how to tell the difference between trusting your vision and being stubborn about something that doesn’t work.
Self-promotion: a subject much on many writers’ minds. All across the Internet, new authors are urged to be proactive in publicizing themselves and their books–to build a “brand.” But what to do? And how much?
A frequent question, especially among self- and small press-published authors, is how books get into libraries, and what authors can do to help. Today, guest blogger and public librarian Abigail Goben explains how libraries choose the books they purchase–and what authors should (and shouldn’t) do to play a part in that process.
What’s the average advance for a first novel? How long does it take the typical first novel to sell? Do most first novelists sell their books on their own, or through an agent? Will publishers and agents consider first novelists who don’t have any short fiction publication credits?
Article by Chuck Rothman on (almost) everything you need to know about agents, including how to avoid scams.
Interstellar space travel. We dream about it. We write about it. Science fiction writers have come up with all manners of interstellar travel, ranging from multigenerational arks, to wormhole generating warp drives that can spit you across the galaxy in a blink of an eye. As wondrous and amazing as all these approaches may be, most suffer from a very fundamental problem.
As an author, it’s important for you to know how to sell and market your book. Because there is no shortage of books and articles on the subject, I’d like to tackle the subject of marketing your book from a more metaphorical approach. (If you’ve ever heard me speak, you should know I’m pretty big on metaphors to help you better understand topics in a different way.) In your case, I feel that it’s not only important to understand how to sell, but also understand a little bit more about a typical sales cycle.
Imagine you’re a new writer. You’ve just completed your first manuscript, and are on fire to get it published. You don’t know a lot about the publishing world, or how to identify a good publisher for your book–but that’s okay. You have the Internet. So you open a search engine–Google, let’s say–and type “publishers” into […]
Simon and Clara, a pair of self-proclaimed paranormal investigators, chase after a ghostly old 1917 police car as it races through Caligo Falls toward a creepy old shack in the forest where a shocking murder took place in 1922.
Garrett Boatman is the author of Stage Fright, Floaters, Night’s Plutonian Shore, The Clocks of Midnight, The Mirror of Eternity, and A Prisoner of Dreamland. His stories have appeared in numerous magazines and anthologies.
