by Caren Gussoff
We’re on the front lines of the changing publishing industry, and for all the insecurities that encompasses, we have a growing number of tools that help reach out and sell directly to fans. Of these tools, perhaps the one most successful has been the online crowd funding platforms.
by John Scalzi
When I’m out and about and recount my tour adventures to people (I can reel off my itinerary just about in my sleep at this point), the question often arises about whether all this touring is actually still useful and/or desirable in an age where so many people get their books electronically, and when one (or at least, one like me) can show up to a comic con, at which between 20k and 50k people will show up in one place, where you also happen to be.
by Nancy Fulda
Villains are challenging to write. Make them too heartless, and no one will find them believable. Make them too empathetic, and the audience will end up rooting for the wrong team. It can be difficult to create an antagonist with enough human virtue to be interesting and enough human foibles to be, well, villainous.
The first issue of Ares Magazine is now in the hands of subscribers and available for purchase. The 84-page first issue features nine original science fiction and fantasy stories, an interview with game designer and author Bruce Cordell, and an article on singularity written by best-selling science fiction author William H. Keith (who also writes under the pseudonyms Ian Douglas and H.J. Ryker).
by Alethea Kontis
Luckily, there are many other outlets for writers to alternately channel their particular brand of creativity: Blogging, podcasting, memes, fan fiction…in this day and age, the possibilities are endless.
by William Ledbetter
The email was short and straightforward. I identified myself as a science fiction writer who was curious about one aspect of their paper.
by Matthew Kressel
It’s become a cliché, the tortured writer beset by periods of crippling self-doubt. But things become clichés simply because they have been true for so many. Writing, for most people I know, is an experience of few victories and many small defeats.
by John Scalzi
Many years ago, writer Jim Macdonald postulated “Yog’s Law,” a handy rule of thumb for writers about the direction money is meant to flow in publishing:
“Money flows toward the writer.”
The Interstitial Arts Foundation, a genre-smashing nonprofit founded in 1999, announces a crowdfunding Indiegogo campaign to raise $8,500 to support its journal, Interfictions Online.
by Barbara A. Barnett
So my takeaway from all this babbling is this: how you write isn’t always about getting words down. Sometimes it’s about looking at other aspects of your life and figuring out if there are changes you can make that will improve your ability to get those words down.
In 19th-century York, England, a young woman inherits her father’s curiosity shop and all its ghostly secrets in a bewitching novel by the author of Salt & Broom. For lovers of Victorian ghost stories, yule folklore, and romantasy.
Bonnie Jo Stufflebeam is the author of the novel Grim Root and the collection Where You Linger. Her short fiction has appeared in over 90 publications and has been nominated twice for the Nebula Award. By day, she writes for a mobile game.
