By Rachael K. Jones Work-for-hire writing jobs are common in novel-length work, especially in the world of tie-in fiction, but rarer in short fiction. If you’re primarily a short fiction author, you might be caught off-guard if approached with this kind of work. You may not have an agent who can give you advice. You […]
by William C. Tracy Congrats! You’re an indie author! You’ve written a book, (hopefully) had critiques and edited it, put it all together, and thrown it up on Amazon. Time to watch the money roll in, right? Well, not exactly. Amazon books don’t sell themselves. Especially in these waning years of the golden indie author […]
By Cat Rambo You have been told, like so many writers before you, that you must have a social media presence. That nowadays, agents and publishing houses look to see how many Twitter followers you have before opening your manuscript. That it’s all about connection with readers, and the only way to manage that is […]
by Kelly McClymer Do you dream of seeing your indie book in your local library catalog? You are not alone. Many a traditionally published author shares your dream. Here are a few hard facts: Libraries generally purchase hardback library editions (volumes that have had the spines reinforced to hold up for multiple reads). Shelf space […]
by Eva Scalzo
There are things you want to be sure you’re asking beginning on that first call, when you’re trying to see if an agent will be a good fit for you
by Alice Speilburg
At the pre-publication stage, as you’re drafting queries and sending off sample pages, an editor at a publishing house and a literary agent seem to serve the same purpose: to legitimize your claim as a professional author, and to set you on the path to publication.
by Diane Morrison
Everyone says that indie publishing is the wave of the future. Avoiding gatekeepers, who are often prejudiced against particular ideas or demographics, and putting your work out there to see if it will sink or swim on its own, puts the power (and the money) back in the hands of the writers. I had an unusual idea and format that I realized would have difficulty finding a home because of its experimental nature, so I though I would give it a try.
by Ethan Ellenberg
It’s a whole new world of Author opportunity for anyone with a backlist and that includes the Estates of deceased Authors.
I’ve written this post to provide an overview of what Authors and Heirs should be monitoring and pursuing.
by Cat Rambo
Make sure you have a business card. This should have your contact information, your social media presence (you’ll see why in the at the convention tips) and at least one way to find your books.
by Intisar Khanani.
Last spring I released my third fantasy novel, after three years between books. Since I indie pub, I decided to take a couple extra months to make sure I planned for early reviews. I’m here today to share why early reviews are important, and the strategies I used to gain those reviews.
Simon and Clara, a pair of self-proclaimed paranormal investigators, chase after a ghostly old 1917 police car as it races through Caligo Falls toward a creepy old shack in the forest where a shocking murder took place in 1922.
Katherine Quevedo hails from Portland, Oregon, where she works as an analyst and lives with her husband and two sons. Her Pushcart and Rhysling nominated fiction and poetry appear in Nightmare Magazine, Asimov’s, Fireside Magazine, and elsewhere.
