by Paul Jessup
Novels are hard, yo. I mean, books in general, maybe writing overall? But for me making that leap from short stories to novels was a difficult transition. I had to completely change my writerly habits, completely reinvent the ways I was doing things altogether.
by Filip Wiltgren
Want to be insanely productive? Check this:
I live in a country where the fruit comes with stickers on it. Meaning that before you eat your apple, you need to remove a piece of plastic, clawing at the little sucker, then going and tossing it in the garbage. This takes about five seconds.
by Alex Woolf
One trend that I think is likely to have more enduring appeal is narrative non-fiction (NNF): the blending of story elements with non-fiction. Typically, this involves the author inventing characters and a simple plot device, such as a journey. Along the way, the characters discover real-world information, be it about science, history or geography. The idea is that by employing narrative techniques such as characterization, dramatic tension, dialogue and atmosphere, the process of information acquisition is made a lot more compelling.
by Susan Forest There are as many paths into creating fiction as there are writers, and widely differing approaches have led to successful works. Entire books have been written how to plan a story; here, I will focus on one small process: translating the circular Hero’s Journey into a linear plot. This translation involves (1) […]
by Deborah Walker
Productivity gurus love routine and habit. They say you should have a regular bedtime and a regular time to wake up. I don’t do that. But I am an early riser and no stranger to 5 am. It should have been easy for me to test this productivity habit.
by Deborah Walker
A few months ago, I began to hear great things about Robin Sharma’s bestselling, new book, “The 5 AM Club.” Sharma is a productivity guru whose work is ’embraced by rock stars, royalty, billionaires and many celebrity CEOs’. When I heard the glowing testimonies from more ordinary folk (albeit productivity types), I was quick to order a copy from my library.
by Dan Brotzel
The philosopher of language Paul Grice (1913-88) is best known for his four conversational maxims, which describe what’s going on when people hold a conversation. I want to look at these to see how they can help us in crafting fiction.
by Alex Woolf
“Why do we always have to reinvent the wheel?” my editor once asked me.
When a new book is launched, it’s like introducing a stranger to a largely disinterested world. Potential readers know nothing about its characters or the kind of plot they might expect. Publishers are forced to spend a great deal of money on marketing to give the book a comforting, pseudo-familiar feel. The title and cover design will be reminiscent of other, similar books that readers might already have enjoyed.
by Paul Jessup
Novels are like long, committed relationships. They take months to years of your life, and they require complete and utter devotion to their singular purpose. Certainly, there is something to living inside of a novel, breathing inside of it, thinking about it every moment of your day. It’s an all-consuming thing, as exhausting as it is rewarding.
by Cameron N. Coulter
Since March 2018, I’ve been writing a monthly short fiction review column for Skiffy and Fanty. A year ago, I didn’t have too many thoughts on reviewing, but now I find I can have long conversations about it.
For the Nameless Restaurant, once a discreet hole-in-the-wall meant for a cast of supernatural regulars, the increasing levels of background magic has brought with it that most dreadful of locusts – new customers.
Pat Murphy is an acclaimed author of science fiction, fantasy, and science books for adults, teens, and children. She was the Activity Guru for the ed-tech startup Mystery Science and the Marketing Director for the Crucible, a school of fire arts.
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