March Market Report
The SFWA Blog is now offering monthly market updates. Here’s the March, 2016 report.
The SFWA Blog is now offering monthly market updates. Here’s the March, 2016 report.
The Science Fiction and Fantasy Writers of America is pleased to announce that Unidentified Funny Objects, edited and published by Alex Shvartsman, is the first anthology series to join the SFWA list of Qualifying Professional Markets.
The first issue of Ares Magazine is now in the hands of subscribers and available for purchase. The 84-page first issue features nine original science fiction and fantasy stories, an interview with game designer and author Bruce Cordell, and an article on singularity written by best-selling science fiction author William H. Keith (who also writes under the pseudonyms Ian Douglas and H.J. Ryker).
The Interstitial Arts Foundation, a genre-smashing nonprofit founded in 1999, announces a crowdfunding Indiegogo campaign to raise $8,500 to support its journal, Interfictions Online.
Crossed Genres and Head of Zeus have been added to the list of SFWA qualified markets.
by Caren Gussoff Note: Part One appears here: Lit Fic Mags for Spec Fic Writers 101. Part Two appears here: Lit Fic Mags for Spec Fic Writers 102: Is It Literary? ••• Now, you’ve decided to submit to a literary market for a particular story. You’re hip to the fundamental differences between lit mags and SFF mags […]
by Caren Gussoff Note: Part One appears here: Lit Fic Mags for Spec Fic Writers 101 This may seem totally obvious, but is actually worth a deeper dive: if you want to market your speculative fiction to literary markets, it has to be significantly literary. Literary markets, though they may protest that they do not like/accept/read […]
by Caren Gussoff I’ve sat in a lot of panels — and eavesdropped on a bunch of conversations — lately, in which genre writers have asked, debated, and/or mused about crossing over from SFF magazines and journals into straight-up literary fiction ones. Seems to many, and I agree, that the notorious snobbery and befuddlement of […]
For writers who are interested in writing middle grade or young adult fantasy or science fiction, the first step is puzzling out what exactly those categories mean. Science fiction and fantasy, after all, has a long tradition of featuring young protagonists — including such classics as Dragonflight by Anne McCaffrey, Pawn of Prophecy by David Eddings, and Arrows of the Queen by Mercedes Lackey — even if those novels weren’t originally published as middle grade or young adult books.
The way to become a published writer is to write (and to submit what you write). Seems obvious, yet so many would-be writers produce that one story or novel and then rework it endlessly, or submit a story or three, get rejected once (or a hundred times), and decide to give up.