by Kelly McClymer Do you dream of seeing your indie book in your local library catalog? You are not alone. Many a traditionally published author shares your dream. Here are a few hard facts: Libraries generally purchase hardback library editions (volumes that have had the spines reinforced to hold up for multiple reads). Shelf space […]
by Scott King ‘Tis the season for selling. No matter your holiday affiliations, now is the time to be selling books, so let’s recap what you can do to help boost sales this holiday season. Start with your cover. It needs to be the best you can afford to appeal to your target demographic, and […]
by Anthony W. Eichenlaub Whether it’s the one-two punch of a duology or the sprawling epic of multiple loosely connected trilogies, there is no doubt that science fiction and fantasy readers love series. For an author, series can be amazing. Good sales on the first book can lead to good sales on the second, third, […]
By AJ Cunder As writers, we’ve all been there: Submittable, Moksha, a proprietary submission system, or even just a submission email. The cover letter’s been written, the story uploaded, and we’re waiting to hit that mysterious Submit button, wondering what happens after our work is sent into cyberspace. When I first started slush reading for […]
by Jamie Lackey Everyone agrees that reviews are important for book sales and visibility, but getting reviews can be an uphill battle. Most casual readers don’t bother leaving reviews, and it’s hard to get the attention of new readers who do. That’s where NetGalley comes in. They connect librarians, booksellers, educators, reviewers, and bloggers with […]
by R J Theodore An author promoting their upcoming release might feel like Sisyphus, because the effort to keep people aware of your book is neverending. When you let up on promotion, you and your boulder wind up back at the bottom of the slope. When you do benefit from a flash of attention, you […]
by Kim Fielding Until fairly recently, it was impractical for most self-published authors to produce audiobooks. Now, however, almost anyone can easily produce a high-quality one. This is good news, because audio constitutes a significant—and profitable—portion of the publishing market. According to IBISWorld, the audio market grew 8.1% between 2017 and 2022, and is now […]
By Lorraine Wilson Statistics are easy to quote, but difficult to connect to, don’t you think? It’s easy to say that 20% of people in the UK are disabled, but within publishing we account for only 5%. To say migraines are, according to the World Health Organization, the sixth highest cause of “Years Lost to […]
Please consult the guidance that follows from the Authors Guild, one of SFWA’s sister organizations, on a significant United States tax-reporting change that many independent authors have shared concerns about since January 1. That’s when Audible/ACX changed their tax-reporting practices for royalties from audiobook productions, by including royalties for both authors and their audiobook narrators […]
by J. Scott Coatsworth Editor’s note: All recommendations in this article are the opinions of the author and do not reflect an approval or endorsement by SFWA. Two Paths to Indie Greatness As an indie author, you have two basic choices for distribution: Go all-in on Amazon—eBooks, paperback, and Kindle Unlimited (KU). Or “go wide,” […]
Arthur has conquered the first floor of the Tower and with a new ally, he’s got a real chance of building his Clan. The problem is, their alliance hinges on one factor: speed. Survival is no longer the only goal—it’s a speed run to the top.
KC Grifant is an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird west stories.
