Poetry.com Returns
Once upon a time, there was an infamous vanity anthology company called the International Library of Poetry, also known by the name of its website, Poetry.com.
Once upon a time, there was an infamous vanity anthology company called the International Library of Poetry, also known by the name of its website, Poetry.com.
I’ve used up a lot of column space on this blog warning about the risks of submitting to small presses, especially brand new small presses. In my opinion, this is currently the most dangerous area for writers–not so much because there are a lot of scams (though there are quite a few) but because so many small presses are undercapitalized, run by inexperienced people, have deluded goals and aspirations, or all three.
Posted by Victoria Strauss for Writer Beware
Writer Beware’s Swag Shop for Discerning Scammers
As many of you know, Writer Beware is a 100% volunteer endeavor. We do receive support from our sponsor, the Science Fiction and Fantasy Writers of Ameri…
A little while back, I blogged about yet another of the ways in which PublishAmerica was attempting to extract cash from its authors: a fee-charging “literary agency.”
Sometime over last weekend, the Writer Beware blog passed the 20,000 subscriber mark!
We’d like to offer a heartfelt thank you to all our readers and subscribers for their attention, support, and participation (we love comments! We love questions!) …
I’ve gotten a lot of questions about Raider Publishing International over the years. Founded by a former (and disgruntled) PublishAmerica author, it’s basically a self-publishing service with some added bells and whistles.
I thought Writer Beware’s readers might be interested in hearing about the only time I’ve ever had a face to face meeting with a known writing scammer.
I often see small presses using a contract template they’ve picked up from somewhere, which may employ outdated terminology (such as referring to plates or unbound sheets) or contain unnecessary language (such as including a revised editions clause in a fiction contract) or make inappropriate claims on subsidiary rights (a larger publisher may be able to do something with translation rights, for instance, but there’s no reason in the world for a cash-strapped, contactless small press to claim them).
A stopped clock is right twice a day. A dodgy publisher is right…well, less often. But sometimes
If you’ve been reading this blog for long, you may have guessed that I’m not a big fan of writing contests.