Unidentified Funny Objects, my anthology series, was partly born out of frustration. It was 2012, and I had been actively writing and submitting short stories for about three years. Things were going rather well: I’d made some professional sales, joined SFWA, and was rapidly becoming a serious fan of the serial comma. Even so, I had learned just enough about the short fiction side of the publishing industry to be frustrated with it.
The Science Fiction and Fantasy Writers of America is pleased to announce that Unidentified Funny Objects, edited and published by Alex Shvartsman, is the first anthology series to join the SFWA list of Qualifying Professional Markets.
100 Year Starship has established the Canopus Award, an annual writing prize recognizing the finest fiction and non-fiction works that contribute to the excitement, knowledge, and understanding of interstellar space exploration and travel.
by Jaym Gates and Joie Brown
Last week we discussed some of the basics we use to stay organized, but this week we’re delving into some of the grittier details—client information, multiple deadlines, business cards.
by Jaym Gates and Joie Brown
The life of a freelancer isn’t all champagne and breakfast in bed. To make a living out of the bits and pieces of available contracting work requires a lot of juggling, steady nerves, and an organizational savvy that’s definitely bordering on the supernatural.
When you’re an independent author, almost every job falls to you as the publisher of your work. There is no Marketing Department, no Public Relations, no Distribution. As a self-published author, all of those jobs fall in my lap.
In this new video, part of the SFWA Youtube channel, Lynne M. Thomas discusses her work with SFWA and the importance of archiving literary papers.
Daniel Suarez’s novel Influx has won the Prometheus Award for Best Novel (of 2015).
2015 World Fantasy Award nominees announced.
Four novels and a single-author collection of stories are finalists for the Endeavour Award. The 2015 Award will be the sixteenth year for the Endeavour, which comes with an honorarium of $1,000.00.
A science-fantasy-noir novel inspired by the Nebula-nominated “Tower of Mud and Straw.” Towers, politics, alternate worlds. Kirkus called it “mind-expanding” in a starred review; Daily Mail, “a towering achievement and a genre-busting tour de force.”
Steven D. Brewer teaches scientific writing at the University of Massachusetts Amherst. He writes steampunky romantasy and fluffy military space opera, often with an LGBTQIA+ focus. Brewer lives in Amherst, Massachusetts with his extended family.
