by Monica Valentinelli
Though there are commonalities that game writers share in their work, there are a lot of routes they can take in order to work in the industry. This column will shed a light on some of those aspects to show what it is game writers do in these varied forms.
by Dennis Mathis
A new hyper-detailed neurological atlas identifies 862 different structures making up the human brain. What are the odds that only five of them are about detecting reality?
by Gargi Mehra
When 2015 dawned upon us one year ago, I, like all reasonable writers, penned down certain resolutions. One of them was to test the oft-repeated advice doled out on most, if not all, writing websites – write a fixed quota of words every day.
This winter, writers can level up their skills in three key areas through live, intensive online classes offered by the Odyssey Writing Workshops Charitable Trust. Odyssey is a 501(c)(3) nonprofit known worldwide for offering some of the best in-person and online programs for writers of fantasy, science fiction, and horror.
The Sunburst Awards, recognizing “Excellence in Canadian Literature of the Fantastic,” has added a short story award category. Short stories published in magazines, anthologies or collections, or online all qualify.
Please note that, as of November 1, 2016, Cemetery Dance is no longer a SFWA-qualifying market.
by Rosalind Moran
The moody male lead is widespread throughout all genres, but it can be difficult to see why anybody would want to spend time with him. He’s brooding, exceedingly individualistic, melancholic, and disposed to hanging around outdoors during thunderstorms for no good reason beyond cultivating his mystique.
Welcome to SFWA’s latest pro-rate Market Report.
LIFETIME ACHIEVEMENT
David G. Hartwell
Andrzej Sapkowski
Available as an ebook on a PAY-WHAT-YOU-WANT basis at https://gumroad.com/l/yellowvol (pre-order now, release date October 31st), all proceeds from The Yellow Volume, after hosting fees, benefit The Clarion Foundation.
Trapped in a child’s body, a resourceful woman risks death by deletion from a simulated world. With her debut novella for adults, Thompson has crafted a taut, ultimately hopeful story that deftly explores identity and autonomy.
S.B. Divya is a lover of science, math, fiction, and the Oxford comma. She is the Hugo and Nebula nominated author of Meru and Machinehood. Her stories have appeared in numerous magazines and anthologies, and she is a former editor of Escape Pod.
