NEW YORK, NY, July 20, 2017 — The Authors Guild and Science Fiction & Fantasy Writers of America (SFWA) announced today that they collaboratively reached an agreement with a Hungarian science fiction magazine, Galaktika, which for years had been reprinting stories of American and British science fiction writers without their permission. Under the terms of the agreement, […]
by Jennifer Brozek
As of 1 July 2017, I stepped down from a two year stint as a Director-At-Large for the Science Fiction and Fantasy Writers of America (SFWA). My term was up and I chose not to run again (this time) due to life happening around me. I learned so much from the organization and from the other Directors themselves. I also learned a lot from the SFWA membership through the lens of a board member. To make things easy on me, I’ve distilled it all into the 10 Things I Learned While I Was A Director-At-Large for SFWA.
by Stewart C Baker
Fiction writing is often presented as an intensely solitary pursuit, but look at the end of a published novel some time and you’ll see the author thank at least a dozen people for their help. And then there’s co-authoring…
Welcome to July edition of the SFWA Pro-rate Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
John Dalmas (b.1926 as John Robert Jones) died in June following a short bout of pneumonia. In 1969, when Dalmas was working for the US Forest Service, he published the novel, The Yngling, which was serialized in Analog and published in book form in 1971. Two stand-alone stories appeared in Analog in 1970, but Dalmas didn’t publish any more fiction until […]
William B. Sanders (1942-2017) aka, William Sundown, was a writer and editor of science fiction. His work frequently drew on his own Native American heritage, coupled with a dry humor and biting cynicism. His novels included alternate histories, Journey to Fusang (1988), which Roger Zelazny called “a clever romp through maybes and might-have-beens” and which received […]
by Shanna Swenson
Rejection is one of the worst parts of writing. When you get a story or novel rejected by an editor or agent, it stings. Your first instinct may be to go online and seek comfort and commiseration by letting your followers know what you’re going through. But stop and think before you spread the news of your rejection all over social media.
by Richard J. Chwedyk
I have my students do some exercises where they utilize stories about recent scientific/technological developments as a basis for fiction. We call it “NOT a Science Project.” I’m always amazed at how well some of them do their homework, and how often a simple exercise becomes the basis for a final project.
by Anthony Izzo
Next to people wondering where a writer’s ideas come from, the question I hear most is “How do you find the time to write?” Currently, I’m working on my 18th novel. Like many other writers, I hold a day job. With a 9-5 job, family obligations, and other responsibilities, how do you find time?
by Sylvia Spruck Wrigley
WorldCon in Helsinki is THE social event of the year, and we’re all really looking forward to it. However, for many folks, it might be the first time traveling to a country where English is not the native language. This can be nerve-wracking because it is impossible to know what to expect. In a vague attempt to help, I’ve created this ten-point list of how to cope.
This sweeping urban fantasy explores what it means to be human in a world where humanity itself may be optional, where ancient gods run pawn shops, and where the difference between monster and hero often depends on which side of the story you’re telling.
John W. Maly holds degrees in law, psychology, and computer engineering and has worked in computer technology litigation for over a decade. A graduate of Stanford University’s Novel Writing program, John is an avid traveler, reader, and writer.
