by Amber Massey
There’s a zen phrase that asks, “If a tree falls in the forest and no one is around to hear it, does it make a sound?” For writers, here’s a different question: If you write a story and no one is able to read it, have you really told it? Typography and fonts have a big impact on readability.
The Odyssey Writing Workshops Charitable Trust, a 501(c)(3) nonprofit known for offering some of the best programs in the world for writers of fantasy, science fiction, and horror, is offering three live, intensive online classes this winter.
Welcome to the November edition of the SFWA Pro Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
by Tim Susman
Since it’s fall and ghosts are in the air, I thought it might be a good time to talk about my research into vodou/voodoo, the religion and spiritual practices that coalesced on Haiti among the African slaves there and spread to America, most commonly and famously in New Orleans (for the purposes of this article, I use “vodou” to refer to the Haitian religion and “voodoo” to refer to the New Orleans practices).
by Douglas Smith
Eventually, I came to understand these stories were transcribed from versions people remembered being told when they were young or used to tell their children. Story telling was an oral tradition.
Author Julian May (b.1931) died on October 17. May entered fandom in her late teens and published the fanzine Interim Newsletter. Her first professional sale, “Dune Roller,” appeared in Astounding in 1951, including original illustrations by May. In 1952, she chaired the TASFIC in Chicago, becoming the first woman to chair a Worldcon.
As part of a Twitter conversation, one of my favorite gamewriters, Ken St. Andre, suggested I write up something about SFWA and independent writers that goes into enough detail that people can understand why — or why not — they might want to join. This is part one of a multi-part series that will talk about some of the history behind the decision, and in this first part I want to talk about the organization prior to admitting independent writers.
Cat Rambo, President of SFWA, curates the “SFWA Fantasy Story Bundle,” featuring works from SFWA fantasy authors. As always, readers choose what percentage goes to the writers, to StoryBundle, and to SFWA–the featured charity.
Dr. Yoji Kondo, known to science fiction readers as Eric Kotani, passed away yesterday at the age of 84. Yoji Kondo was an astrophysicist at NASA/GSFC, where he served as Director of the NASA International Ultraviolet Explorer (IUE) satellite observatory, among other prestigious appointments, and had formerly served as the head of the astrophysics laboratory […]
They are the last survivors of the settlers of the moon Sturnus, forty children rescued by the benevolent people of the planet Janus. Except Bear is starting to remember, and what he remembers is nothing like what he and the others have been told.
Garrett Boatman is the author of Stage Fright, Floaters, Night’s Plutonian Shore, The Clocks of Midnight, The Mirror of Eternity, and A Prisoner of Dreamland. His stories have appeared in numerous magazines and anthologies.
